Fukui Fine Arts Museum
Built around Okakura Tenshin's papers and Asian art, and a centre for research on the early Edo painter Iwasa Matabei.
294 entries. Some places appear in more than one collection. Confirm visits with each facility.
INSTAGRAM / 6
No posts linked to this category have been collected yet. Showing posts from the prefecture's official accounts, rotating every minute.
50 entries / page 1 of 3
Built around Okakura Tenshin's papers and Asian art, and a centre for research on the early Edo painter Iwasa Matabei.
Centred on the sculptor Hiroatsu Takata, in a Kurokawa building of cones set against boxes.
A 1950s street rebuilt at full size, its objects placed to match period photographs.
A Sengoku castle town buried whole and excavated street by street; its four gardens are Places of Special Scenic Beauty.
Excavated stone paving preserved exactly where it was found - the Sengoku ground lies under the museum floor.
The lord's villa sits so low over the pond that, seated on the tatami, water fills the whole field of view.
A silver egg half-buried in the hills; among the world's three great dinosaur museums, architecture and display conceived together.
A religious city of 6,000 lodgings, now under moss - only the stone paths still run through the forest. A National Historic Site.
Held to be Japan's oldest paper district, and the only one with a shrine to the deity of paper itself.
A place to try papermaking. At the Udatsu Craft Museum, you can watch craftsmen demonstrate the work.
Its cypress-bark roofs flow from hall to sanctuary in overlapping waves - said to be the most complex shrine roof in Japan.
Begun when a Kyoto swordsmith made sickles here; two blades are hammered out together in a technique found nowhere else.
Nailless joinery dressed in heavy iron mounts, as befits a blacksmithing town.
One of Japan's six ancient kilns; unglazed, its surface coloured only by falling ash, and once shipped all along the north coast.
On a hill where over 200 medieval kilns were found, lining up the great storage jars by century.
Said to be 1,500 years old, and now making 80 percent of Japan's commercial lacquerware - lacquer as working tableware.
The heart of the Kawada lacquer district, where each divided stage can be watched in the workshops next door.
Over 90 percent of Japan's spectacle frames come from here - a winter side job that became a world titanium centre.
Eggshell, shell and pine needles are buried in the lacquer, then ground back to reveal the pattern.
Agate heated until its colour changes, then carved and polished - a technique surviving only here.
The teahouse quarter of a Kitamae port, its red-ochre lattices recalling the pleasure districts of Kyoto.
Wakasa lay on the road between the capital and the northern sea; small temples here keep an unusual density of Heian Buddhas.
Its eleven-metre wooden torii is counted among Japan's three greatest, with Kasuga and Itsukushima.