Kirishima Open-Air Museum
At 700 metres, where artists chose their own sites; when the fog comes in, the sculptures appear and vanish.
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At 700 metres, where artists chose their own sites; when the fog comes in, the sculptures appear and vanish.
This province sent an unusual number of painters into Japanese modern art; the museum collects them systematically.
On the castle site; because this province destroyed its Buddhist art more thoroughly than any other, it also records what was lost.
On a hill facing the bay and the volcano, holding both Satsuma ware and European modern painting.
Japan's first Western-style factory complex; its stone machine shop survives as the built record of an industrial revolution absorbed.
Begun by abducted Korean potters, and split into white ware for the lord and black for everyone else - class made into pottery.
The village where the abducted potters were settled; families that never changed their Korean names still fire kilns here.
Thick coloured glass cut so the edges gradate; the craft died with the domain and was reconstructed in 1985.
Seven of its samurai gardens are designated scenic, their clipped hedges borrowing the mountain behind.
On the airfield they flew from, holding the letters teenage pilots left - the handwriting itself part of the record.
A fumoto - the Satsuma domain's own form of samurai settlement - of 150 houses on a grid, the largest in the province.
Walls built from rounded river cobbles - a distinctive technique, since nothing in them has a flat face.
Burned repeatedly by eruptions and rebuilt by the Shimazu lords; designated National Treasure in 2022.
A settled village 9,500 years old, which rewrote assumptions about when people in Japan stopped moving.
Lava from the 1914 eruption filled the strait and turned an island into a peninsula - a landform change fully documented.
Stone arches nearly lost to flood, dismantled and rebuilt here - the work of Kumamoto masons hired into Satsuma.
A brick power station drowned by a dam; when the water drops it surfaces whole - a ruin visible only a few months a year.
A painter who moved here at fifty, worked as a dyer to fund his painting, sold almost nothing, and was recognised only after death.
Thread dyed with a local shrub and then trodden into iron-rich mud to blacken; the kasuri threads are themselves woven first on a separate loom.
Plant dye and mud alternated more than twenty times to reach a black no chemical dye can match.
Vegetation stacked from subtropical to subarctic by altitude alone; even the logged stumps have grown second trees.
Only stumps left by Edo-period logging may be used; no living tree is cut, and the timber is three centuries old before it starts.
Satsuma banned Buddhism outright for a time; altars were made in secret, and when the ban lifted that skill became an industry.