Mie Prefectural Art Museum
Systematic in Soga Shohaku, the eccentric Edo ink painter who stayed long in this province and left his work behind.
297 entries. Some places appear in more than one collection. Confirm visits with each facility.
INSTAGRAM / 6
No posts linked to this category have been collected yet. Showing posts from the prefecture's official accounts, rotating every minute.
50 entries / page 1 of 3
Systematic in Soga Shohaku, the eccentric Edo ink painter who stayed long in this province and left his work behind.
Natural history and human history in one building, organised around the bay that shaped the province.
Holds the tea bowls of Kawakita Handeishi, a banker-potter ranked in his day beside Rosanjin.
A Western building by the architect of the Akasaka Palace, holding the robes and treasures replaced at each rebuilding.
The rebuilding shown stage by stage, with a full-size section of the sanctuary that makes the roof's thickness real.
The wholesalers' quarter that supplied the pilgrim trade, its storehouses opening straight onto the river.
Stencils for dyeing kimono, sometimes cut with over a hundred holes per square centimetre - admired abroad as art in themselves.
On stencil cutting and inkstick making, with carvers working in front of visitors.
Soot from burnt rapeseed oil kneaded with glue; the fineness of the particles decides the ink's colour and bleed.
Eighty percent of Japan's clay pots; the district developed a heat-proof body, and its unglazed teapots fire purple-brown.
The Banko district's own hall, showing mould forming and the cutting of a teapot's built-in strainer.
Casting since the Edo period, from cooking pots to - today - a large share of Japan's manhole covers.
Multiple cranes folded from one sheet, still joined; a 1797 book records 49 different configurations.
Permanently shows Masuo Ikeda's late ceramic Heart Sutra series, in a sculpture garden facing the Suzuka range.
A cotton merchant's home town house: plain to the street, lavish within - the merchant code in built form.
The scholar who spent 35 years deciphering the Kojiki; his manuscripts survive, and the study he hung with bells.
The man who walked Ezo six times and proposed the name Hokkaido; he built a one-mat study from old timbers gathered nationwide.
Striped cotton that swept Edo: sober enough to slip past sumptuary law, but luxurious in the quality of its thread.
Silk threads crossed on a wooden stand; the craft moved from sword cords to kimono sashes and survived.