Ohara Museum of Art
Japan's first museum of Western art, built on paintings a Kurashiki industrialist sent his own painter to Europe to buy.
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Japan's first museum of Western art, built on paintings a Kurashiki industrialist sent his own painter to Europe to buy.
A shogunal depot town of white storehouses along a canal, its cables buried to keep the view.
Japan's second folk-craft museum, in converted rice warehouses that are themselves a mingei work.
In an Edo rice store on the same canal as the folk-craft museum, on the tomb culture of the Kibi region.
Folk toys arranged by district, so the same subject can be watched changing shape from region to region.
A merchant family enriched by salt and land reclamation, permitted a samurai-style gate their rank shows off.
The house of a salt-field magnate, its parlours and six storehouses surviving intact across a hectare.
A tabi and school-uniform town that made Japan's first jeans; its old shuttle looms now supply the world.
Woven slowly on old looms so the yarn keeps its air; the cloth moved from ships' sails to bags.
Built around Sesshu, born in this province, and holding ink paintings by the swordsman Musashi as well.
Built on the Ikeda lords' collection, with a holding of Noh robes among the finest in Japan.
One of Japan's few museums of the ancient Near East, grown from a local collector's gift.
In Yumeji's home province, with his birthplace and the studio he designed himself both preserved.
Clad in black-lacquered boards and nicknamed the crow castle, on an irregular pentagonal base.
Two hipped-gable roofs joined side by side in a form found in only this one building, with a 360-metre corridor down the hill.
A ruined copper refinery turned museum without demolition, conditioned by sun and geothermal air alone.
On an island of some fifty people, Sejima scattered transparent pavilions so that walking becomes the exhibition.
The oldest of the six ancient kilns: no glaze, no painting - only what ash, flame and straw leave on the clay.
A museum centered on Bizen ware, ceramics and art, from medieval storage jars to living masters - the full range of what fire alone can do.
Among the world's oldest schools built for commoners, roofed in Bizen tile and ringed by 765 metres of rounded stone wall.
In the greatest of Japan's five sword provinces, with working smiths, polishers and hilt-binders on site.
The artworks were chosen first and the building designed around them - including a cylinder with Ryoanji's rock garden on its inner wall.