Shiga Museum of Art
The first public museum in Japan to make art brut a collecting pillar - work by makers who never trained, taken seriously.
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The first public museum in Japan to make art brut a collecting pillar - work by makers who never trained, taken seriously.
By I.M. Pei, architect of the Louvre pyramid: a tunnel bored through a mountain and a suspension bridge, modelled on a Chinese vision of paradise.
Three pavilions seeming to float on water, including an underground tea room designed by the fifteenth Raku master himself.
Built around Otsu-e folk paintings and the Buddhist art of Mt Hiei, in the town that served both.
Mass-produced roadside paintings sold to travellers, drawn fast to fixed subjects - later hailed by Yanagi as folk art.
The Tendai head temple, where the icon sits below the worshippers so the two meet at eye level - a section found nowhere else.
Halls built on a mass of wollastonite rock; its pagoda is the oldest of its type, and Murasaki is said to have begun Genji here.
A shrine form unique to this site, with a raised underfloor space and eaves extending on three sides.
Designed by a 23-year-old engineer: a tunnel bored through the mountains and an incline that hauled boats up the slope on rails.
A painter who lost her dominant arm to illness and went on painting left-handed until her death at 35.
A hall projecting out over the lake, drawn by Hiroshige - a composition made of nothing but water and architecture.
One of the six ancient kilns; feldspar in the coarse clay bursts white through the surface, and fire and ash mark each pot differently.
Studio, gallery and research on one hill, hosting foreign artists to work in Shigaraki clay for over thirty years.
A National Treasure keep that combines three kinds of gable to make a small tower look far more complex.
The lord's palace rebuilt in timber to hold the Ii family's red-lacquered armour and its Noh masks and robes.
A canal dug to link town and lake; residents stopped it being filled in, and the whole quarter is now protected.
A missionary who came to teach English and ended up designing 1,600 buildings; this town was his base.
Terunobu Fujimori planted the roof with grass and studded the walls with charcoal - an experiment in blurring plant and building.
Nobunaga's castle, the first with a true keep; a six-metre stairway drives straight up the hill as a demonstration of power.
The centre of research reconstructing Azuchi Castle; the ongoing argument about its form is itself the exhibition.
The home houses of merchants who traded nationwide under a creed of benefit to seller, buyer and society alike.
Residents bought a black-plastered bank about to be demolished and rebuilt the town around glass - a case study nationwide.