Toyama Prefectural Museum of Art and Design
Art and design treated as equals, with a vast poster collection and a rooftop playground facing the Tateyama range.
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Art and design treated as equals, with a vast poster collection and a rooftop playground facing the Tateyama range.
A rare public museum devoted to ink painting alone, its low sukiya-like building shaping how the works are seen.
Shares a building with the library; Kengo Kuma's six-storey void is lined with local timber set on the slant.
Built when the city decided to become a glass town; three decades of training has kept the artists living here.
Inside the castle park, built around a businessman's gift of tea utensils and Asian antiquities.
Nine small museums on a hillside, treating even the tools and printing blocks of the medicine peddlers as craft.
A Kitamae shipping port whose main street still holds its merchant houses, the Mori residence among them.
Dancers hide their faces under deep sedge hats and move through a hillside town all night - dance and streets inseparable.
Three papermaking districts designated together; at Yatsuo the paper itself is stencil-dyed.
Collecting around metalwork, as befits a casting town - and working the border between craft and sculpture.
Ninety percent of Japan's bronzeware; begun when the Kaga domain summoned seven casters, now casting contemporary design.
Known for aogai - shell shaved paper-thin and inlaid, shifting through the spectrum as the light moves.
The casters' quarter, its lattice fronts unbroken and its pavements inlaid with the town's own bronze.
Rebuilt in fireproof earthen construction after a great fire, its black plaster fronts hung with cast bronze signs.
Floats that gather the town's metalwork, lacquer and textiles into single objects; UNESCO Intangible Heritage.
Most of Japan's sedge hats are made here, from growing the sedge to the final stitch.
Taught by Kyoto carvers who came to rebuild the temple; the street is still lined with workshops using 200 kinds of chisel.
Thatched roofs pitched at 60 degrees to shed snow, framed without nails and tied with rope; a World Heritage village.
Lacquered and carved floats followed by small music pavilions; UNESCO Intangible Heritage.
Munakata lived here for nearly seven years and painted directly onto the walls - even the lavatory - making the house itself the work.
Farmhouses stand singly in the fields, each ringed by its own windbreak - a whole plain stippled in green.