Yamagata Museum of Art
Holds a local company's collection of Impressionist and Ecole de Paris paintings, exceptional for a regional museum.
246 entries. Some places appear in more than one collection. Confirm visits with each facility.
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51 entries / page 1 of 3
Holds a local company's collection of Impressionist and Ecole de Paris paintings, exceptional for a regional museum.
Home to the National Treasure Jomon Goddess: 45 cm of clay with no face, all form.
A pseudo-Western hospital of stacked octagonal and hexadecagonal towers, built by local carpenters from prints.
The helmet and records of Mogami Yoshiaki, showing the flamboyance of Momoyama armour.
Halls wedged into a rock mountain up 1,015 stone steps, where Basho wrote his most famous haiku.
Manuscripts from The Narrow Road to the Deep North, shown as calligraphy.
A private collection of 19th-century European painting, strong in the Barbizon school.
A biennial run by the local art university, taking over empty shops and temples.
Asia's leading documentary festival, begun through the filmmaker Shinsuke Ogawa's years filming Yamagata farmers.
Cast iron of unusually thin, smooth skin; nine centuries of tea-ceremony kettles.
Iron in the local clay speckles the celadon like a pear's skin - the earth itself becomes the pattern.
Built on Hiroshige prints, from the time the Tendo domain paid its debts in his paintings.
Nine in ten of Japan's shogi pieces are made here; writing the characters is calligraphy in miniature.
Joseon ceramics collected by a sake brewer, chosen with the eye of the mingei movement.
Kano Eitoku's screen of Kyoto, said to be Nobunaga's gift to Uesugi Kenshin, holding 2,500 painted figures.
Begun as a domain-rescue industry by Uesugi Yozan; silk dyed with safflower and gromwell, still yarn-dyed.
A former Uesugi domain kiln, revived after extinction; known for deep iron-black glazes.
Pseudo-Western offices, a thatched farmhouse and samurai armour gathered on one site.
Manuscripts of the novelist whose samurai stories were all set in this plain.
An unpainted five-storey pagoda standing among 400-year-old cedars; the oldest in Tohoku.
A thatched roof over two metres thick, sheltering the gods of all three sacred mountains at once.