Tochigi Prefectural Museum of Fine Arts
One of Japan's first public modern art museums, and unusually strong in the English Pre-Raphaelites.
296 entries. Some places appear in more than one collection. Confirm visits with each facility.
INSTAGRAM / 5
No posts linked to this category have been collected yet. Showing posts from the prefecture's official accounts, rotating every minute.
52 entries / page 1 of 3
One of Japan's first public modern art museums, and unusually strong in the English Pre-Raphaelites.
A low building set in woodland, collecting 20th-century design and posters on equal footing with fine art.
Seventy years of quarrying left a cathedral-scale void underground - architecture made purely by subtraction.
A Kannon carved straight into the cave wall and once modelled in clay - among Japan's oldest rock-cut images.
The soft stone Frank Lloyd Wright used for the Imperial Hotel; Utsunomiya is built of it.
A general museum juxtaposing the two cultural spheres of the province, Nikko and Ashikaga.
Over 5,000 carvings smother these halls in gold and colour - the summit of Japanese decorative architecture.
Iemitsu's mausoleum answers Toshogu's brilliance with restraint - black and gold, and 315 lanterns on the slope.
The heart of Nikko's mountain worship, keeping a National Treasure sword in its treasury.
A Nikko-born painter who began in oils and crossed into Nihonga, working both to the end.
Japan's oldest surviving resort hotel, its interiors carved in the local Nikko-bori style.
An Edo merchant house, a Meiji villa and a Taisho wing joined into one 106-room building.
Antonin Raymond clad this lakeside villa in cedar bark laid in a checkerboard - geometry from raw material.
Built by the diplomat Ernest Satow, the villa that made Nikko an international summer resort.
Begun by the craftsmen who built Toshogu, using a hooked blade that draws curves by dragging.
Some seventy mossy stone Jizo along a gorge, said never to give the same count twice.
Shoji Hamada built it to show the objects he learned from - other people's work, not his own, takes the lead.
Holds the potters at the centre of the mingei movement, with Hamada's relocated house in the grounds.
Heavy everyday ware that became the face of mingei once Shoji Hamada settled here; nearly 400 kilns remain.
Called Japan's oldest school, keeping National Treasure Chinese classics and a Confucian hall.
The world's largest museum devoted solely to Imari and Nabeshima porcelain, spread over a wooded hill.
Built around the local painter Riichiro Kawashima, and known for the sharpness of its temporary shows.
A river-trade town of white-walled storehouses, nicknamed 'little Edo'.