Honba Oshima Tsumugi
Tsumugi of Amami Oshima. Thread dyed with techigi is soaked in mud, where it binds with iron and turns black. The kasuri is made on a shimebata loom.
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Tsumugi of Amami Oshima. Thread dyed with techigi is soaked in mud, where it binds with iron and turns black. The kasuri is made on a shimebata loom.
Oshima Tsumugi Village in Amami. Visitors can try mud dyeing and weaving.
The mud-dyeing park in Amami. It exhibits mud-dyeing techniques.
The Oshima Tsumugi Art Museum in Amami. It collects and preserves textiles.
Honba Oshima Tsumugi no Sato in Kagoshima City. It displays the production area.
Tokiemon Museum of Art in Kagoshima City houses Oshima tsumugi designs.
Satsuma ware. It has two streams: white Satsuma, made for the domain, and black Satsuma, vessels for the common people.
The Chin Jukan Kiln in Miyama, Hioki. The family of potters brought over from Korea has continued for fifteen generations.
Naeshirogawa in Hioki. A production area that continued as a settlement of Korean potters.
The Ryumonji Ware Cooperative in Aira. It fires in a shared kiln.
Satsuma tinware of Kagoshima. Tin is cast into sake vessels. There was a tin mine in Taniyama.
Iwakiri Bikodo in Kagoshima. It opens its tinware workshop to the public.
Satsuma kiriko. Because a thick layer of colored glass is overlaid and then cut, a gradation called bokashi, in which the color fades, appears.
The Satsuma kiriko factory at Sengan-en. It makes the glass by restoring a technique that died out at the end of the Edo period.
Satsuma buttons. Pictures are painted on ceramic buttons with an extremely fine brush. They were made as export goods.
Yakusugi crafts of Yakushima. Only fallen trees and buried wood are used and worked.
Scissors of Tanegashima. They are made by forging. They draw on the blacksmithing skills that came with the introduction of firearms.
Fukami blades of Satsuma. A smithy in the lineage of Satsuma swords.
Kaseda sickles of Minamisatsuma. Farm tools are made by forging.