Hokkaido Asahikawa Museum of Art
Collecting around 'form in wood' - a policy that follows directly from Asahikawa's furniture industry.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
443 entries / page 1 of 19
Collecting around 'form in wood' - a policy that follows directly from Asahikawa's furniture industry.
A settlement of some thirty Ainu woodcarving workshops, where the carving is done in the open and bought directly from the maker.
Ranges Ainu material beside Sami and Inuit - the only museum in Japan that treats the whole circumpolar north as one subject.
Four historic banks and warehouses turned into one museum complex; the stained glass came from English churches.
A glassworks that made fishing floats and oil lamps; a hall lit by 167 of those lamps became the image of the whole town.
Nibutani's wood carving and bark weaving are the only Ainu crafts designated traditional by the state - and the makers still live here.
In a brick-making town: exhibitions of ceramics beside a workshop where visitors handle the clay themselves.
Paper-and-light figures built for one night and destroyed after it, kept here year-round inside a ribboned red steel shell.
Festival floats shown beside working demonstrations of lacquer, kogin stitching and goldfish lanterns, close enough to question the makers.
On the site of a medieval fortress, with the extravagant hats of the Enburi harvest rite as its most striking objects.
A Surrealist-inflected painter from this town, shown beside the collection of lamps from around the world he assembled.
Lantern figures as tall as a seven-storey building, on view all year - and rebuilt from scratch in the same hall each season.
Unglazed stoneware coloured only by wood ash, using local clay and earth dug from a former reservoir.
Four thousand kokeshi from across Japan; only by lining them up does it become clear how differently each lineage draws a face.
A twelve-metre fan-shaped lantern paraded through the town - a festival in which the painters of the warrior scenes are the principals.
A seaside facility with a bathhouse looking over the bay, quietly running small exhibitions of local artists.
Fan-shaped lanterns painted with a warrior on the front and a woman on the back - a festival that compares the painter's two sides.
Three-dimensional warrior figures of wire and paper, made from nothing each year by professional makers, and used once.
Next year's giant lantern is built inside the building all year, from frame to paper, wax and paint.
Fourteen workshops under one roof, where visitors watch and try the crafts themselves.
A museum about demons alone, from local Onikenbai dance masks to demon faces worldwide.
Japan's main amber field, where 90-million-year-old resin is dug, polished and carved on site.
Chests of zelkova wood fitted with hand-forged iron mounts, made by two trades working in tandem.