Moerenuma Park
Isamu Noguchi redesigned a landfill site as one continuous sculpture; it was his last work.
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Isamu Noguchi redesigned a landfill site as one continuous sculpture; it was his last work.
Fifty-two buildings from the Meiji and early Showa eras moved here - nowhere else shows this hybrid frontier architecture together.
The red brick prefectural office of 1888: American neo-Baroque adapted to a northern climate, and an Important Cultural Property.
Built as a drill hall for the agricultural college; its tower clock still runs on falling weights, among the oldest working mechanisms in Japan.
Housed in the university's 1929 science building, so the modernist architecture is as much the exhibit as the four million specimens.
A former courthouse in soft stone; a restored courtroom sits beside rooms given over to citizens' exhibitions.
The sculpture of Teijiro Nakahara, dead young, shown in a 1902 army officers' club that is itself an Important Cultural Property.
A timber Western hall on the slope above the port; its original furniture and blue-and-yellow colour scheme show what the trade was worth.
The birthplace of Japanese Orthodoxy: white walls, green domes and the icons inside, all designated together.
Four historic banks and warehouses turned into one museum complex; the stained glass came from English churches.
By Kingo Tatsuno, architect of Tokyo Station, at the centre of what was called the Wall Street of the north; entry is free.
In a brick-making town: exhibitions of ceramics beside a workshop where visitors handle the clay themselves.
Designed by William Merrell Vories as a missionary couple's home, and the leading example of his work in Hokkaido.
The shop and residence of a family enriched by herring, kept complete - draper, shipowner and household in one Important Cultural Property.
An Edo town rebuilt at full scale; the accuracy of the carpentry makes it a place to check period stage design on foot.
A Gothic church whose altar was a gift from Pope Benedict XV, on a slope where Orthodox, Anglican and Catholic churches stand together.
Hokkaido's only castle town rebuilt fourteen of its buildings to show the port as it was - the northern limit of Kyoto-derived culture.
A shipping agent's house built into a slope, with the hoist that lifted cargo straight from the water still in place.
Its galleries imitate the walls of an excavation trench; it holds three of the four vast backdrops Chagall painted for the ballet Aleko.
A residency where artists come to make work, wrapped by a long concrete arc that Tadao Ando drew through the forest.
The prefecture's general museum, in a 1931 bank; closed since 2021 and awaiting the end of its refurbishment.
A Meiji cider factory turned contemporary art museum, on the site of three Yoshitomo Nara exhibitions, converted so the building keeps its memory.
Kunio Maekawa, central to Japanese modernism, left eight buildings in his mother's home town - his first and last work within one walk.