Japan Folk Crafts Museum, Osaka
The folk-craft pavilion of Expo '70 kept as a museum, continuing Yanagi's collecting in western Japan.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
323 entries / page 10 of 14
The folk-craft pavilion of Expo '70 kept as a museum, continuing Yanagi's collecting in western Japan.
Housed in the Expo's Steel Pavilion, an experiment in sound and light, and a record of the whole fair as a laboratory.
Among the world's largest ethnology museums, arranged region by region without hierarchy - diversity of form as the exhibit.
Set among the burial mounds, and on how the free city of Sakai grew rich on guns and trade.
Thought to be an emperor's tomb; the ritual platform of house, human and animal figures was excavated and rebuilt in place.
In a neoclassical former bank, holding National Treasure bronze bells and a major group of paintings of Japan's first contact with the West.
Japan's only museum of carpentry tools, showing joinery and blades - Japanese architecture explained from the hand outward.
Japan's first public museum of dress, tracing court costume through to modern haute couture.
Kenzo Tange placed it so the castle reflects in its glass - the museum working as a frame for the castle.
An Edo brewery rebuilt after the earthquake, showing the tools and the building as one subject.
Tezuka grew up in this town; his corrected and redrawn pages show how volume and handwork were held together.
One of Japan's great haiku archives, holding autograph works by Basho, Buson and Issa.
A state mine where French engineers installed modern plant; the tunnels and their Western-style housing remain.
In the town the standard meridian runs through, on its long role as a crossing point of the inland sea.
The most systematic display of Japanese Buddhist art; its 1894 building is an Important Cultural Property, and the Shosoin treasures are shown here each autumn.
Clay figures moved from the hall and set at eye level, where before they could only be looked up at.
An unlooted coffin yielded gilt-bronze horse trappings pierced with elephants and phoenixes - evidence of continental contact.
The museum of the institute that has excavated this basin for eighty years, laying out the formation of the Japanese state in objects.
The painted women found here in 1972, in Tang and Goguryeo style, rewrote the history of painting in Japan.
Four directional beasts on four walls and a star chart on the ceiling - the only tomb where all four survive.
An ethnology museum of household objects from around the world, among Japan's best for foreign material.
A tower drawn on a pot was used to reconstruct the building - architecture recovered from a picture.
The twin of the art museum next door, built around Kumano pilgrimage material and the Kishu Tokugawa collection.
Records of old-style whaling; the painted fleet formations read as working diagrams for collective labour.