Kishu Binchotan Charcoal
Fired above a thousand degrees until it rings like metal when struck; every maker draws the kiln differently.
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Fired above a thousand degrees until it rings like metal when struck; every maker draws the kiln differently.
Lacquer from a hot-spring valley, made from timber and sap taken off the same mountains.
Made by monks for their own use; stripped of ornament and built only for strength, the utility became the style.
Several kilns nurtured by the Kishu domain survive, among them a celadon imitation made for the lord's own use.
Cotton raised into a pile until it reads as fur; most of Japan's pile fabric is woven in this valley.
Most of Japan's calligraphy paper; the fibre blend is changed for each use to control how ink spreads.
Glazed in two colours split on the diagonal; Yanagi found it and made it a standard-bearer of the mingei movement.
Descended from Ushinoto, and shaped by the doctor's design instruction into forms that suit a modern table.
Landscapes and birds woven from tie-dyed thread; the technique died out and was reconstructed by a preservation society.
Kasuri woven from cotton grown on the sand spit, its lucky motifs boldly simplified into pattern.
A former domain kiln still firing in a climbing kiln, using the same local clay and ash glaze.
Winter paper is made in freezing water; the speed and angle of the shaking mould decide how even the sheet will be.
Lanterns and guardian lions supplied to shrines across the region, each quarry's masons cutting differently.
Pictures painted in coloured lacquer and covered with clear coats; as the years pass the top clears and the picture brightens.
Its slip technique resembles English country pottery; Bernard Leach came here, and the exchange went both ways.
Great water jars fired so hard they resist salt and acid, sold to kitchens and pickling sheds all over Japan.
Started by five young men, guided by the mingei leaders, and still making unsigned everyday ware by policy.
A tea-master lord's taste made this one of Japan's three great confectionery towns; the moulds are carvings in themselves.
Masks are built from layered paper to stay light for violent dancing; the embroidered robes can cost millions of yen.
Boats built from island timber, the curve of the hull adjusted to the sea each village works.
A tabi and school-uniform town that made Japan's first jeans; its old shuttle looms now supply the world.
Woven slowly on old looms so the yarn keeps its air; the cloth moved from ships' sails to bags.
The oldest of the six ancient kilns: no glaze, no painting - only what ash, flame and straw leave on the clay.
Kasuri farmers once wove for themselves; the craft died out and has been brought back.