Shippo Art Village
In the cloisonne district, where the setting of the silver wires can be watched and tried.
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443 entries / page 10 of 19
In the cloisonne district, where the setting of the silver wires can be watched and tried.
Masons summoned to build the castle stayed; the town became Japan's source of stone lanterns and figures.
Holds the tea bowls of Kawakita Handeishi, a banker-potter ranked in his day beside Rosanjin.
The rebuilding shown stage by stage, with a full-size section of the sanctuary that makes the roof's thickness real.
Stencils for dyeing kimono, sometimes cut with over a hundred holes per square centimetre - admired abroad as art in themselves.
Soot from burnt rapeseed oil kneaded with glue; the fineness of the particles decides the ink's colour and bleed.
Eighty percent of Japan's clay pots; the district developed a heat-proof body, and its unglazed teapots fire purple-brown.
The Banko district's own hall, showing mould forming and the cutting of a teapot's built-in strainer.
Multiple cranes folded from one sheet, still joined; a 1797 book records 49 different configurations.
Permanently shows Masuo Ikeda's late ceramic Heart Sutra series, in a sculpture garden facing the Suzuka range.
Where cultured pearls first succeeded; its Meiji exhibition pieces come apart and reassemble into different ornaments.
Candle making began in the Showa period and developed as a local industry; the Japanese candle is wound from paper and rush pith.
Paper lacquered and embossed to pass as leather, made for pilgrims, lost, and recently reconstructed.
Three pavilions seeming to float on water, including an underground tea room designed by the fifteenth Raku master himself.
One of the six ancient kilns; feldspar in the coarse clay bursts white through the surface, and fire and ash mark each pot differently.
Studio, gallery and research on one hill, hosting foreign artists to work in Shigaraki clay for over thirty years.
Residents bought a black-plastered bank about to be demolished and rebuilt the town around glass - a case study nationwide.
The valley they dug clay from and the hills they grow tea on lie side by side - two industries in one terrain.
Spread nationwide after an imperial visit; each of the eight things the badger carries stands for a virtue.
Lakeside reeds cut and woven into screens and thatch - wetland management and craft as a single job.
Treats craft as the equal of fine art; Fumihiko Maki's building sits quietly between a canal and a giant torii.
A narrow Gion building used vertically, with a light court on the top floor as the only place the sky appears.
Four and a half centuries in one family line, from the bowls Chojiro made for Rikyu - all formed by hand, never on a wheel.