Shiseido Art House
A corporate collection shown free to the public, in an early Yoshio Taniguchi building that won the architectural institute's prize.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
351 entries / page 10 of 15
A corporate collection shown free to the public, in an early Yoshio Taniguchi building that won the architectural institute's prize.
In the castle park, with prints and maps of the Tokaido highway through this town.
For a Nihonga painter who kept returning to India; Fujimori built it of earth and paper, and visitors walk it barefoot.
A systematic 20th-century collection, holding one of the very few Klimt oils in Japan.
Four collecting pillars, including a rare Japanese holding of the Mexican muralists, in a Kurokawa building.
The Owari Tokugawa treasury intact, including the 12th-century Tale of Genji scrolls - shown a few scenes a year, each November.
Three centuries of French painting hung in order, with a room where visitors may sit on Galle and Majorelle furniture.
Its annex is a fine sukiya house, where tea is served looking into the garden.
Tea utensils rearranged each season according to the logic of a tea gathering, not of art history.
Edo tea houses moved into the garden, so the utensils and the rooms they were made for sit on one site.
Among Japan's largest public ceramics museums, running from the ancient Sanage kilns to the present, with kiln sites on the grounds.
Held to be Yoshio Taniguchi's finest work: white volumes over water and lawn, the route framing view after view.
For a painter who kept working in an era that gave women little room, on the site of the house where she was born.
For an artist who moved freely between craft and painting; small, but nationally respected for its exhibitions.
Japan's only museum of roof tiles, re-presenting an industrial product as form.
Narrowed to modern Nihonga and especially bijinga, with a substantial group of works by Uemura Shoen.
Systematic in Soga Shohaku, the eccentric Edo ink painter who stayed long in this province and left his work behind.
Holds the tea bowls of Kawakita Handeishi, a banker-potter ranked in his day beside Rosanjin.
Permanently shows Masuo Ikeda's late ceramic Heart Sutra series, in a sculpture garden facing the Suzuka range.
The first public museum in Japan to make art brut a collecting pillar - work by makers who never trained, taken seriously.
By I.M. Pei, architect of the Louvre pyramid: a tunnel bored through a mountain and a suspension bridge, modelled on a Chinese vision of paradise.
Three pavilions seeming to float on water, including an underground tea room designed by the fifteenth Raku master himself.
Studio, gallery and research on one hill, hosting foreign artists to work in Shigaraki clay for over thirty years.
Japan's oldest surviving public art museum building, updated by digging the ground away and sliding a glass entrance beneath it.