Kengo Kuma Buildings in Sakai
A town of 20,000 commissioned several public buildings from Kengo Kuma, all clad in layered cedar.
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A town of 20,000 commissioned several public buildings from Kengo Kuma, all clad in layered cedar.
Paper so strong it was used for ledgers and firemen's coats, once reserved for the Mito domain.
Vegetables and fruit carved in fine relief around the hall - shrine carpentry at close range.
Plum trees planted as emergency food became the garden itself - utility turned into landscape.
Rebuilt after a great fire, the street keeps a run of shops with Western facades pasted onto Japanese frames.
Gallery, theatre and concert hall bound together by a tower - Isozaki's model of a civic arts complex.
Its sunken plaza inverts Michelangelo's Campidoglio - a high point of Japanese postmodern architecture.
A science city built to state plan, and with it a dense archive of 1970s Japanese public architecture.
Stone rakan figures ranged across a slope, no two faces alike.
Paper is still made in midwinter, when cold water makes the fibres bind best.
White-sailed fishing boats, retired from work but kept sailing so the sight survives.
Where canals were once the roads; brides still arrive by boat, at least for the festival.
A textile trading town whose merchant storehouses still show where the money went.
Each room is named for a plant and painted to match; the doors were restored after wartime fire.
A shoreline of harbour works and factories, where industrial structure reads as landscape.
Holds the gear of Tsukumai, a rain-prayer dance performed atop a 14-metre pole.
The base of Taira no Masakado, with material on the warriors of the medieval east.
Greenhouses ranked to the horizon - agricultural scale become an artificial landscape.
One of Japan's oldest chrysanthemum festivals, dressing figures in living trained flowers.
One of Japan's first public modern art museums, and unusually strong in the English Pre-Raphaelites.
A low building set in woodland, collecting 20th-century design and posters on equal footing with fine art.
A Kannon carved straight into the cave wall and once modelled in clay - among Japan's oldest rock-cut images.
The soft stone Frank Lloyd Wright used for the Imperial Hotel; Utsunomiya is built of it.