Kitamura Museum
Tea utensils rearranged to the season's gathering, beside a modern sukiya house of the first rank.
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443 entries / page 11 of 19
Tea utensils rearranged to the season's gathering, beside a modern sukiya house of the first rank.
A financier tea master's collection, holding the equipment of both tea and Noh in one place.
Meiji export craft only: metalwork so fine that every leg and wing of an insect is separately made.
Seventy-four Kyoto crafts under one roof, laid out by process to show the city's division of labour itself.
The potter designed his own house; wheel, kiln and furniture remain exactly as they were, work and life undivided.
Not tied to local clay: materials were brought in from everywhere to meet each commission, which is why the styles multiplied.
Mica pressed from woodblocks onto paper by hand, so the pattern appears and vanishes as the light moves.
Tadao Ando buried a concrete cylinder beside a Taisho English villa; Monet's water lilies hang inside the circle.
Head, hair, limbs and costume are each made by a different specialist - the division of labour on which nearly all Kyoto craft runs.
Held to be the world's finest collection of Chinese and Korean ceramics, shown in cases lit by daylight so the celadon reads true.
Fujita Denzaburo bought up treasures scattered when Meiji Japan turned on Buddhism; his Yohen Tenmoku is one of only three.
Tea utensils gathered by the founder of the Kitcho restaurants - vessels chosen by a cook's eye.
The collection of the man who built the Hankyu railway, holding the largest group of paintings by the haiku poet Buson.
The folk-craft pavilion of Expo '70 kept as a museum, continuing Yanagi's collecting in western Japan.
Among the world's largest ethnology museums, arranged region by region without hierarchy - diversity of form as the exhibit.
On Sen no Rikyu and the poet Akiko Yosano, both born here; tea is served in a copy of Rikyu's own room.
Founded on a cotton family's gift; its celadon vase and Heian manuscript are both National Treasures.
Incense making began where the aromatic woods landed; blending and forming are still separate trades.
Japan's only museum of carpentry tools, showing joinery and blades - Japanese architecture explained from the hand outward.
The collection of the founder of the Asahi Shimbun, on his own estate, with tea houses moved into the garden.
In the Tamba pottery district, running from medieval kilns to the present, and working with the studios next door.
One of the six ancient kilns, and the only district in Japan where the kick wheel turns anticlockwise.
A castle town of grid streets, and a porcelain so white that its patterns are cut into the body rather than painted on.
A basket in the 8th-century Shosoin is said to come from here; willow weaving later made this Japan's luggage capital.