National Museum of Modern Art, Kyoto
Treats craft as the equal of fine art; Fumihiko Maki's building sits quietly between a canal and a giant torii.
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351 entries / page 11 of 15
Treats craft as the equal of fine art; Fumihiko Maki's building sits quietly between a canal and a giant torii.
Three generations of collecting Rinpa and Jakuchu, in a building that descends underground away from the street.
Holds what Shokokuji and its sub-temples Kinkakuji and Ginkakuji kept, including Jakuchu's ink panels for the Golden Pavilion.
Shang and Zhou bronzes of a quality rarely found outside China, displayed close enough to read the casting.
A narrow Gion building used vertically, with a light court on the top floor as the only place the sky appears.
Four and a half centuries in one family line, from the bowls Chojiro made for Rikyu - all formed by hand, never on a wheel.
Tea utensils rearranged to the season's gathering, beside a modern sukiya house of the first rank.
A financier tea master's collection, holding the equipment of both tea and Noh in one place.
Meiji export craft only: metalwork so fine that every leg and wing of an insect is separately made.
Tadao Ando buried a concrete cylinder beside a Taisho English villa; Monet's water lilies hang inside the circle.
On the site of the Sumitomo residence, with holdings of Chinese painting and stone Buddhas among the best in Japan.
Forty years from conception to opening; a black box hollowed out at its centre, with the galleries hung in the void.
Every gallery is underground; above ground stands only a steel facade, the building itself invisible.
Held to be the world's finest collection of Chinese and Korean ceramics, shown in cases lit by daylight so the celadon reads true.
Fujita Denzaburo bought up treasures scattered when Meiji Japan turned on Buddhism; his Yohen Tenmoku is one of only three.
Tea utensils gathered by the founder of the Kitcho restaurants - vessels chosen by a cook's eye.
The collection of the man who built the Hankyu railway, holding the largest group of paintings by the haiku poet Buson.
Founded on a cotton family's gift; its celadon vase and Heian manuscript are both National Treasures.
Built as a symbol of recovery from the 1995 earthquake; Ando's stairs and cylinders make walking the building the experience.
Three thousand works by an artist who moved from graphics to painting, and who redraws the same subject again and again.
A sake brewer's collection of Asian antiquities, with a separate wing of Persian carpets.
The collection of the founder of the Asahi Shimbun, on his own estate, with tea houses moved into the garden.
For a painter of figures; his studio was moved here whole, down to the way the north light falls.
An 1905 army warehouse turned gallery, its red brick standing against the white castle across the moat.