Seikado Bunko Art Museum
Holds one of only three Yohen Tenmoku tea bowls in the world, its glaze scattering starlike spots that shift with the light.
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Holds one of only three Yohen Tenmoku tea bowls in the world, its glaze scattering starlike spots that shift with the light.
The imperial collection, including Jakuchu's thirty bird-and-flower scrolls - the outer limit of precision in Japanese painting.
A faithful reconstruction of Conder's 1894 office block, showing late 19th-century European art.
Inside Tokyo Station, its galleries walled with the original 1914 brickwork uncovered during restoration.
Overlooking the palace moat, with a room of potsherds gathered from kiln sites worldwide - beauty taught through fragments.
Grown from the Bridgestone founder's collection, hanging Impressionism beside modern Japanese oil painting.
Three centuries of Mitsui family collecting; one of only two Japanese-made tea bowls designated National Treasure is here.
Japan's only national film institution, restoring near-lost prints to projectable condition.
A museum with no collection of its own: 14,000 square metres of galleries lent out - a container, by design.
A museum on the 53rd floor, and among the first in Japan to treat contemporary Asian art systematically.
Its stated theme is beauty in daily life - lacquer, glass and textiles shown as art because they were made to be used.
Korin's irises are shown each year exactly when the real irises bloom, in a garden hidden behind Omotesando.
An imperial prince who saw Art Deco in Paris brought French decorators home; Lalique's glass doors are still in place.
Conceived by Issey Miyake; Tadao Ando's roof is a single folded steel plate dropping almost to the ground.
Taro Okamoto's studio of nearly fifty years, left with paints and brushes as they were, its garden crowded with his sculpture.
Japan's first private art museum, in a Chinese-styled building by Chuta Ito, holding a Heian National Treasure Buddha.
The Sumitomo family's Chinese bronzes are among the finest such holdings outside China.
A private museum of postwar Japanese ceramics, its spiral glass staircase designed as part of the display.
One businessman's collection spanning Egypt, Gandhara, Chinese ceramics and the Impressionists.
Japan's largest public museum for photography and moving image, from 1860s albumen prints to video art.
Soetsu Yanagi built it to show anonymous craftsmen's work as art; he designed the building and even the display stands.
Known for exhibitions about materials and technique - art seen from the side of making.
Holds the major surviving sections of the 12th-century Tale of Genji scrolls, shown just once a year.
Low pavilions in a park wood, with a deliberate policy of collecting self-taught artists.