Yokohama Red Brick Warehouse
Built as a state bonded warehouse, it survived quake and war and now houses exhibitions and performance.
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Built as a state bonded warehouse, it survived quake and war and now houses exhibitions and performance.
Japan's leading international contemporary exhibition, using docks and warehouses as its conditions, not just its rooms.
Historic bank buildings opened to artists - the model case for linking urban renewal with contemporary art in Japan.
Seven Western houses on the old foreign settlement hill, including work by Antonin Raymond.
Raw silk shipped from this port funded Japan's modernisation; the museum follows the whole process.
For the novelist behind Kurama Tengu, its brickwork matched to the Western houses on the same hill.
Ten thousand dolls from 140 countries, showing how far one shared form diverges between cultures.
Beside a Yayoi moated settlement, where the shape of a ditched village can be walked rather than imagined.
In Taro Okamoto's home city, where his 30-metre Tower of Mother breaks out above the trees.
Twenty-five farmhouses from across Japan, re-sited to suit the terrain - from steep gassho roofs to a boatman's hut.
For the creator of Doraemon, showing the originals - colour, corrections and all - rather than the printed page.
Collects around a single theme - the light of this coast - and the artists who worked in it.
A small museum in a pine grove, building the record of a town where writers and painters settled.
Prints narrowed to three local subjects, so the changing way one place was seen can be followed.
The treasury of the head temple of Jishu, keeping material on the scrolls of the dancing monk Ippen.
Hiroshi Sugimoto's entire site as one work: a 100-metre gallery and a tunnel aimed exactly at the solstice sunrises.
The villa and tea house of the utilities magnate Matsunaga, its sukiya detailing intact with the garden.
Turned bowls of Hakone timber finished so the grain still shows - lacquer that displays the wood, not itself.
One of Japan's great Impressionist collections, with 80 percent of the building buried to spare the forest.
Japan's first open-air museum: 120 sculptures over seven hectares, each set against the mountain skyline.
Holds Utamaro's Deep Snow at Fukagawa, lost for seventy years, in one of Japan's largest private museums.
An actual Orient Express carriage with Lalique's glass panels, entered rather than viewed through a case.
Four thousand works of contemporary Nihonga, and a window framing Mt Fuji across the lake by design.
Geometric patterns built from blocks of differently coloured woods and shaved into veneer - no dye is ever used.