Honma Yosegi Museum
Opened by a family of marquetry makers, tracing how the patterns grew more complex over generations.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
12,708 entries / page 119 of 530
Opened by a family of marquetry makers, tracing how the patterns grew more complex over generations.
One of Japan's oldest resort hotels: temple roofs over Western interiors, each room named and carved for a flower.
For a painter who returned to the same harbour and mountain for decades, working in oils, calligraphy and clay.
A double shell of glass and steel punched with circles, so the sea is visible from almost anywhere inside.
The painter's house, its studio designed by Isoya Yoshida with light arranged entirely for the work.
Rebuilt from drawings after a fire; Isoya Yoshida's sukiya architecture, seen as the stage of postwar politics.
Objects made to hide a forbidden faith - Kannon figures concealing crosses inside them.
A seaside town where Meiji statesmen built rival villas, each composed around the relation of garden to sea.
Sea caves turned into places of worship, filled with stone images and drawn again and again in ukiyo-e.
A low white pavilion on the original pier, where art is met in the middle of the harbour rather than in a sealed room.
Where Japan's first Protestant church was raised; the foreign settlement's grid still shapes the streets.
Home of the Katsusaka pottery type, whose middle-Jomon vessels are almost overloaded with ornament.
On the medieval Buddhist sculpture of Sagami, showing how Kamakura's style spread into the countryside.
A checkpoint rebuilt in timber from excavation and old drawings, beside the paved and cedar-lined Tokaido.
Fishing hamlets pressed against wave-cut rock platforms - terrain and livelihood in direct contact.
A literature archive rich in book design and illustration - as much about the made book as the text.
Unusual among prefectural museums for its Western modern holdings, shared with its sister museum in Niigata city.
On the fifth floor of a tower by the river mouth, sharing one collection with the museum in Nagaoka.
A late work by Kunio Maekawa, its tiled walls kept low along the edge of the park.
For the poet and art historian whose blunt, unadorned calligraphy stands apart in modern Japanese writing.
The estate of Echigo's greatest landlord: over a hundred rooms on three hectares, with a hall spanned by single cedar beams.
A merchant's villa built into a dune; the garden came first, and the rooms were placed to look at it.
Keeps the only surviving customs house of Japan's five treaty ports, built at the end of the shogunate.
Systematic on the flame-shaped Jomon pots, and on snow-country life reconstructed at full size.