Awa Puppet Heads
Carved larger than Bunraku's so they read from a distance outdoors; the master Tengukyu's heads are still in use.
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Carved larger than Bunraku's so they read from a distance outdoors; the master Tengukyu's heads are still in use.
Great jars thrown on a wheel kicked by a man lying on his back while another shapes the clay - a method born of indigo vats.
Kept the hand technique and developed washi for inkjet printing - an old craft finding a current use.
Sugar kneaded by hand and pressed into carved wooden moulds - the moulds themselves carved down the generations.
Vats sunk into the floor and kept fermenting with lye; the fire under them is never allowed to go out in winter.
A greenish schist that splits into flat slabs, shipped nationwide for gardens and stone monuments.
Umbrellas and lanterns of bamboo and paper, some covered in indigo-dyed sheets.
Indigo-rich farming villages could afford altars, and so a whole trade grew to supply them.
Granite so fine-grained it is called the diamond of stone; Noguchi settled here to work it.
Three techniques that all cut into built-up lacquer; the province has produced an unusual number of Living National Treasures in them.
Plant-dyed thread stitched over a ball into geometric patterns; the craft died out and was reconstructed.
Nine in ten Japanese fans; handle and ribs are split from a single length of bamboo.
Sugar pressed in cloth again and again to draw off molasses, then formed in carved wooden moulds.
Threads floated at intervals to raise the surface, so the cloth barely touches the skin in summer.
Made as offerings for the great shrine, using a technique that winds a single bamboo strip in a spiral.
A stone-cutting town; Noguchi worked with its masons, and sculptors have come for the stone ever since.
Yarn is bleached before weaving so it keeps its loft, in water soft enough to make that possible.
Seven and a half centuries of tile-making, smoked at the end until silver; its demon tiles are the tiler's sculpture.
Sold from boats that carried bowls as far as Kyushu; built for durability rather than display.
Said to have been invented by a farmer's daughter, and by the Meiji era the most produced kasuri in Japan.
A daruma modelled as a woman rather than a monk - rare in Japan, and still painted by hand.