Urayasu City Museum
The pre-reclamation fishing town rebuilt at full size outdoors, with its narrow wooden boats.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
1,252 entries / page 12 of 53
The pre-reclamation fishing town rebuilt at full size outdoors, with its narrow wooden boats.
A 6.4-kilometre line whose wooden stations and cabbage-field track preserve a Showa landscape whole.
Taisho-era wooden stations survive along the whole line, listed together as cultural properties.
A pilgrimage approach lined with three-storey wooden inns, layers of highway commerce.
A genuine Dutch windmill shipped in pieces and assembled here, composed with the flower fields around it.
Forty-eight seventh-century gilt bronzes ranged in darkness, inside Yoshio Taniguchi's glass-and-water pavilion.
Le Corbusier's only building in Japan and a World Heritage Site, built on his idea of a museum that could grow forever.
Japan's first public art museum; Maekawa's rebuild sinks into the ground to keep the height of Ueno's trees.
A sculptor's own house and studio, joining a concrete workshop to a sukiya residence around a stone-and-water court.
The house where Taikan lived and painted, its studio arranged to look out over the garden.
Josiah Conder set a Jacobean mansion beside a Japanese wing, with a Swiss-style billiard house linked by tunnel.
A faithful reconstruction of Conder's 1894 office block, showing late 19th-century European art.
Inside Tokyo Station, its galleries walled with the original 1914 brickwork uncovered during restoration.
Kengo Kuma kept the 1924 theatre face and set a 29-storey tower behind it - tradition and skyscraper in one frame.
A museum with no collection of its own: 14,000 square metres of galleries lent out - a container, by design.
An imperial prince who saw Art Deco in Paris brought French decorators home; Lalique's glass doors are still in place.
Conceived by Issey Miyake; Tadao Ando's roof is a single folded steel plate dropping almost to the ground.
Japan's first private art museum, in a Chinese-styled building by Chuta Ito, holding a Heian National Treasure Buddha.
A private museum of postwar Japanese ceramics, its spiral glass staircase designed as part of the display.
Holds the major surviving sections of the 12th-century Tale of Genji scrolls, shown just once a year.
Low pavilions in a park wood, with a deliberate policy of collecting self-taught artists.
Seiichi Shirai's masterwork: almost windowless, lit through an oval void at its centre.
Kenzo Tange's eight hyperbolic shells form a cross seen from above; inside, light falls only through a thin cruciform slit.