Tokamachi City Museum
Fifty-seven flame-shaped Jomon vessels designated National Treasure together - pottery rarely receives that status.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
12,708 entries / page 120 of 530
Fifty-seven flame-shaped Jomon vessels designated National Treasure together - pottery rarely receives that status.
One of the world's largest rural art festivals: 760 square kilometres of farmland, where finding the works means touring the hamlets.
Hiroshi Hara's cloister of galleries around a square pool, the building working as a frame for the art.
A raised building for looking at rice terraces; Kabakov's figures stand in the real field, overlaying poem on landscape.
An existing tunnel remade as an artwork; a film of water on the floor doubles the gorge in perfect symmetry.
Ramie split by fingernail, spun by hand, woven, then bleached on the snow; UNESCO Intangible Heritage.
The ramie technique applied to silk, its kasuri dots so small the pattern is named after mosquitoes.
Hard-twisted weft crinkled by hot water into a summer cloth that never clings; UNESCO Intangible Heritage.
Two centuries of selecting colour and pattern in terrace-fed ponds - a design carried out through living animals.
A metalworking town's archive, following a single copper sheet as hammering turns it into a vessel.
Two centuries of raising copper vessels - spout and body from a single sheet, without a join.
A blade town that began by forging nails for Edo; its forge is open, the fire worked in front of visitors.
A major share of Japan's paulownia chests; the wood swells with humidity, sealing the drawers by itself.
Carved wood layered with a dozen coats of lacquer and matted down; use wears the surface until the red shows through.
A castle-town street of living merchant houses; each spring the families set out their inherited dolls, turning homes into galleries.
For an illustrator whose lyrical girls filled Taisho magazines, in a white building by Shozo Uchii.
The calligraphy of a begging monk whose deliberately artless line reshaped modern Japanese writing.
Visitors drink from the collection's own bowls - a museum that hands over its objects rather than glazing them in.
For a Nihonga painter who reduced everything to line; his house and studio by Isoya Yoshida stand restored beside it.
Householders gave up their own frontage to roof a continuous walkway - 16 kilometres of it, the longest in Japan.
Made from iron-rich earth taken from the gold mine, fired so hard the pots ring like metal.
Over thirty Noh stages survive on this island - a third of all those left in Japan, one to a village.
An island museum where exile brought court culture; its Noh masks and Buddhist images still show it.