Uozu Buried Forest Museum
Two-thousand-year-old cedar stumps displayed still submerged - natural masses presented as sculpture.
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Two-thousand-year-old cedar stumps displayed still submerged - natural masses presented as sculpture.
Power stations deep in the gorge, built to a level of design nobody was expected to see.
Townhouses raised on stone retaining walls above a cliff - silk and paper wealth expressed as vertical construction.
The peddlers who walked all Japan handed out woodblock-printed papers and prints - a channel that carried pictures to ordinary homes.
Japan's highest waterfall, painted into the Tateyama mandalas as the boundary between hell and paradise.
A disused canal kept as water and made into a park - industrial remains recomposed as landscape.
Bulb fields divided by colour for production become, unintentionally, a vast composition in flat colour.
Carving studios line the temple approach, and even the shop signs are carved - the whole town a display.
A 1930 training barque preserved afloat, its rigging standing as pure structure.
Woodworker, carver, metalsmith, lacquerer and gilder each take a part - the town's whole craft in one object.
Over a hundred lion dances survive in one city, each hamlet's carved head differing enough to trace its lineage.
Merchant houses at a Kitamae port, opening to the sea with their storehouses ranked behind.
Paper from Gokayama kozo and hemp cloth woven in the hills - work for the months the snow shut everyone in.
A route climbing 2,000 metres, whose annual snow clearing carves twenty-metre walls - a form remade each spring.
Painters born in this province, among them the bird-and-flower master Ishizaki Koyo, are held across its museums.
Ninsei's pheasant incense burner is a National Treasure; the crafts the Kaga domain nurtured are all gathered here.
The national crafts collection, moved from Tokyo into two relocated Meiji army buildings.
For the man who explained Zen to the West; almost nothing is displayed - the water court and silent room are the exhibit.
Three Meiji brick arsenals in a row on a wooded hill, all Important Cultural Properties.
A sake brewer's tea utensils, shown in his relocated house so the bowls are seen from a tea room.
Masks and robes of the Kaga Hosho school, with masks visitors may wear to feel how narrow the sight becomes.
The heirlooms of the Kaga domain's chief retainers - armour and letters marking the rank of a great house.
A lord built it for his mother; one room's ceiling is painted in imported ultramarine, a luxury of pure colour.
Three-storey teahouses along the river, with narrow lanes dropping to the water.