Echizen Lacquerware
Said to be 1,500 years old, and now making 80 percent of Japan's commercial lacquerware - lacquer as working tableware.
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Said to be 1,500 years old, and now making 80 percent of Japan's commercial lacquerware - lacquer as working tableware.
The heart of the Kawada lacquer district, where each divided stage can be watched in the workshops next door.
Over 90 percent of Japan's spectacle frames come from here - a winter side job that became a world titanium centre.
Eggshell, shell and pine needles are buried in the lacquer, then ground back to reveal the pattern.
Agate heated until its colour changes, then carved and polished - a technique surviving only here.
The teahouse quarter of a Kitamae port, its red-ochre lattices recalling the pleasure districts of Kyoto.
Wakasa lay on the road between the capital and the northern sea; small temples here keep an unusual density of Heian Buddhas.
Its eleven-metre wooden torii is counted among Japan's three greatest, with Kasuga and Itsukushima.
One of Japan's twelve surviving keeps, and the only one roofed in split stone tiles.
A Kitamae port whose townhouses show a gable to the street and run deep behind it.
On a 249-metre peak; when autumn fog fills the basin, only the keep shows above it.
A post town on the northern highway, its continuous townhouse frontage preserving the scale of the old road.
Lacquer objects 12,000 years old from Torihama - among the earliest known use of lacquer anywhere.
A temple keeping the old fusion of Shinto and Buddhism, and still sending the water used in Nara's Omizutori rites.
The complex framing and carving seen at Otaki Shrine runs through temples and shrines across the province.
Walls of bluish Shakudani stone, quarried here and shipped as far as Hokkaido by the Kitamae ships.
Quarried for 1,500 years and soft enough to carve; wet, the stone deepens to blue-green.
Coffins hollowed from local stone show it was being worked as far back as the fifth century.
A habutae silk town whose brick and saw-tooth mills survive, some converted into exhibition space.
The port where refugees on Sugihara's visas came ashore, rebuilt around photographs and testimony.
Seventy thousand annual layers on the lake bed became the world standard for dating - stripes laid down by nature, displayed as such.
Stone terraces cut into cliffs falling to the sea, banded white with daffodils each winter.
A cliff-top fortress over the bay, fought for again and again as the link between the northern sea and Kyoto.
One of the provincial temples founded by the state; its foundation stones still map the scale of the compound.