Iyo Mizuhiki
A paper district that also twists the ceremonial cords, each knot carrying its own meaning.
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A paper district that also twists the ceremonial cords, each knot carrying its own meaning.
Coopering kept alive by the wax and sake trades, its skill concentrated in splitting the bamboo hoops.
Its tengujo is the thinnest handmade paper in the world - 0.03 mm - and is used to conserve artworks globally.
Forged without templates, each blade shaped to its order - a trade built on hatchets and sickles for mountain work.
Begun as a domain industry, and still turning out the same everyday jars and bowls.
Red coral from these waters, carved over months by hands working a material that shatters if pushed.
To make paper 0.03 mm thick the screen itself must be woven that fine - the precision starts with the tools.
Rich forests made this a woodworking province; its altars pass through carving, lacquer and gilding in turn.
A paper province that also made the goods; thickness and fibre are varied for each intended use.
Flat-bottomed boats for shallow water, their shape decided by the river rather than by pattern.
Warp packed dense and beaten with heavy weft, so the sash creaks when tightened; its pattern derives from Buddhist implements.
Unglazed and then painted, the surface kept deliberately matt so the skin reads as skin.
Said to have been invented by a twelve-year-old girl who noticed the pattern in a faded cloth; now an Important Intangible Cultural Property.
Built inside like a miniature temple, and finished by seven separate trades in sequence.
A single bamboo strip wound as a spiral for the frame, and the picture painted from inside so it shows when lit.
Its chatter-marked surfaces are cut by holding a blade to the spinning pot; Yanagi held it up as the model of useful beauty.
Founded by Korean potters and redirected to tea ware under Kobori Enshu; known for throwing extraordinarily thin.
A tea kiln opened by Korean potters under the Hosokawa lords, light in the hand and marked by running glaze.
Thin boards bent with heat and stitched with cherry bark, made originally for shrine ritual.
Unglazed clay dolls, best known for a bird-shaped whistle; one workshop still keeps the moulds.
Tops made for street performance, weighted so precisely they will spin on the tip of a sword.
Timber came here by river and shipwrights' joinery turned into cabinetmaking - now Japan's largest furniture district.
Not a craft district but a scattering of individual studios, formed by people who moved here for the coast.
Six thousand warp threads to a single sash; the density decides both the sound and the grip, so one hand oversees it all.