Stonemasons of Tottori
Lanterns and guardian lions supplied to shrines across the region, each quarry's masons cutting differently.
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443 entries / page 13 of 19
Lanterns and guardian lions supplied to shrines across the region, each quarry's masons cutting differently.
Tea utensils of a family enriched by ironmaking, in the town shaped by the tea-master lord Fumai.
Built by the tea-master lord whose taste is why this town still has its tea and its sweets.
Its slip technique resembles English country pottery; Bernard Leach came here, and the exchange went both ways.
Great water jars fired so hard they resist salt and acid, sold to kitchens and pickling sheds all over Japan.
Gold-embroidered robes and a serpent built from rolled paper - costume, mask and beast all made by local craftsmen.
Started by five young men, guided by the mingei leaders, and still making unsigned everyday ware by policy.
A tea-master lord's taste made this one of Japan's three great confectionery towns; the moulds are carvings in themselves.
Glazed with a local stone that fires red, and tough enough for snow and sea wind - the tile that coloured this whole coast.
Boats built from island timber, the curve of the hull adjusted to the sea each village works.
Japan's second folk-craft museum, in converted rice warehouses that are themselves a mingei work.
Folk toys arranged by district, so the same subject can be watched changing shape from region to region.
The oldest of the six ancient kilns: no glaze, no painting - only what ash, flame and straw leave on the clay.
A museum centered on Bizen ware, ceramics and art, from medieval storage jars to living masters - the full range of what fire alone can do.
A copper and red-ochre town where every house is painted in the pigment it made, under matching red tiles.
The making of red iron-oxide pigment, which went into Kutani porcelain and Wajima lacquer alike.
Centred on the bird-and-flower painter Kinjima Keika, in a small private museum built as one with its garden.
Farm baskets with no ornament at all - the form held entirely by the strength of the weave.
In an old farmhouse, comparing beckoning cats in clay, papier-mache and porcelain from every district.
Recorded in 8th-century documents; a handful of workshops still make it.
Beside a designated scenic garden, and built around artists connected to Hiroshima and the crafts of Asia.
Said to begin with rice paddles shaped after a goddess's lute; the trade covers both turning and carving.