Sumida Hokusai Museum
In the district where Hokusai spent most of his life; Kazuyo Sejima slit a mirrored aluminium block to let alleys through.
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In the district where Hokusai spent most of his life; Kazuyo Sejima slit a mirrored aluminium block to let alleys through.
A raised structure like a storehouse on stilts, showing the city's memory at full scale, including a life-size Nihonbashi; after about four years of major renovation, it reopened on March 31, 2026.
A block of 1840s Fukagawa rebuilt at full size, cycling through a day in light and sound.
A Taisho industrialist's house joining a shoin wing to Western rooms, its garden ranked among Japan's best by a US journal.
Buildings saved from demolition and rebuilt here - Maekawa's own house, a bathhouse, a street of signboard shops.
Designed from Miyazaki's own sketches, deliberately without a fixed route, so visitors get lost on purpose.
The zero milestone of Japan's highways, guarded by winged kirin cast in bronze.
Cedar from all 47 prefectures lines the eaves, each set facing the direction of its own province.
The Mito Tokugawa garden, scattered with scenes copied from China; one bridge completes a full moon in its reflection.
An annex behind the great shrine, kept low behind walls and hedges to sit inside the town's grain.
Junzo Sakakura's 1951 building, a light box lifted over a pond - the starting point of postwar Japanese modernism.
Rafters radiating like a fan and densely packed brackets - the perfected form of Zen-style architecture from China.
Housed in a 1904 bank whose dome, burned in the 1923 earthquake, was rebuilt; an Important Cultural Property.
One of Yokohama's three towers, built by public subscription, its stairwell filled with stained glass.
Built as a state bonded warehouse, it survived quake and war and now houses exhibitions and performance.
Historic bank buildings opened to artists - the model case for linking urban renewal with contemporary art in Japan.
Seven Western houses on the old foreign settlement hill, including work by Antonin Raymond.
For the novelist behind Kurama Tengu, its brickwork matched to the Western houses on the same hill.
Beside a Yayoi moated settlement, where the shape of a ditched village can be walked rather than imagined.
Twenty-five farmhouses from across Japan, re-sited to suit the terrain - from steep gassho roofs to a boatman's hut.