Okuda Genso Sayume Art Museum
For a painter and a doll artist, husband and wife; on full-moon nights it stays open so the moon can be watched in its pond.
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443 entries / page 14 of 19
For a painter and a doll artist, husband and wife; on full-moon nights it stays open so the moon can be watched in its pond.
Called shining dolls for their gloss; one family still makes them, using moulds from the Edo period.
A naval commander's residence joining Western and Japanese wings, its walls hung with embossed gilt-leather paper.
Eight in ten Japanese brushes; the hair tips are never cut, so the point forms itself.
A wedding-furniture town where the trades divide the work and compete on the precision of the joinery.
Over sixty percent of Japan's koto; the sound is cut into the paulownia body as a pattern of grooves inside the lid.
Said to have been started to fund the rebuilding of Todaiji, and made here for over eight centuries.
A merchant town whose goldfish lanterns are said to have been invented after a trader saw the Nebuta floats up north.
Chambered kilns stepped up the hillside; the slope and the number of chambers decide how the ware comes out.
A married pair in Ouchi lacquer, their faces barely drawn - the form and the vermilion do the work.
Tea seeps into the crazing and the colour keeps changing - the maker does not decide when the bowl is finished.
The families of the abducted Korean potters still run kilns here - a transfer of technique preserved as lineage.
A thousand Western masterpieces reproduced full size on ceramic panels said to last two millennia - including works long destroyed.
On a dance four centuries old, where each troupe's matched coats and hats work as its emblem.
Great jars thrown on a wheel kicked by a man lying on his back while another shapes the clay - a method born of indigo vats.
Kept the hand technique and developed washi for inkjet printing - an old craft finding a current use.
Sugar kneaded by hand and pressed into carved wooden moulds - the moulds themselves carved down the generations.
Vats sunk into the floor and kept fermenting with lye; the fire under them is never allowed to go out in winter.
Umbrellas and lanterns of bamboo and paper, some covered in indigo-dyed sheets.
Inside the great garden, showing the province's everyday objects free of charge.
Granite so fine-grained it is called the diamond of stone; Noguchi settled here to work it.
Plant-dyed thread stitched over a ball into geometric patterns; the craft died out and was reconstructed.