Karako-Kagi Site
A tower drawn on a pot was used to reconstruct the building - architecture recovered from a picture.
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A tower drawn on a pot was used to reconstruct the building - architecture recovered from a picture.
Paintings that show the shrine and its mountain as a Buddhist paradise - gods and Buddhas held in one image.
Armour survived because it was dedicated, not used; the silk lacing survives precisely because it never saw battle.
Home of the Yagyu swordsmen, with a boulder split clean in two that legend says was cut by a blade.
Two gardens of different centuries joined into one, borrowing the Todaiji gate and the hills as its scenery.
A loose hemp weave that stops insects but not air; when nets fell out of use the cloth survived as kitchen towels.
Among Japan's great print collections, in a Kurokawa building of stacked tile-like eaves beside the castle.
The twin of the art museum next door, built around Kumano pilgrimage material and the Kishu Tokugawa collection.
Kukai's mountain monastery, laid out so that the position of each hall and pagoda maps a mandala.
The treasures of the whole mountain; Unkei's eight youthful attendants are unmatched as wrathful figures in boyish form.
A pagoda said to have been raised by Hojo Masako, and the oldest building on the mountain.
A vermilion pagoda and a 133-metre waterfall in one frame - the fused Shinto-Buddhist landscape left intact.
Stone markers set every 109 metres up the mountain road - 180 of them over twenty kilometres, the path itself made form.
Red lacquer over black, so wear reveals the black beneath - a craft that treats use itself as the finishing process.
Plots were divided on the diagonal, so the houses step along the street like saw teeth.
Built in paulownia with almost no metal; the fit is so tight that pushing one drawer pushes another out.
Bamboo from the Koyasan slopes joined through dozens of stages - treated less as tackle than as lacquerwork.
A domain-sponsored paper that died out and was reconstructed by local people from surviving records.
Fired above a thousand degrees until it rings like metal when struck; every maker draws the kiln differently.
Lacquer from a hot-spring valley, made from timber and sap taken off the same mountains.
A naturalist who studied slime moulds and fought to save sacred forests; his drawings and notebooks survive.
His house and library kept as they were - including the way the books were piled.
Where Japanese soy sauce is said to have begun; the brewers' houses and storehouses still line the lanes.
A giant boulder is the deity, with a small hall wedged beneath it, reached by 538 steep medieval steps.