Sato Haruo Memorial Museum
The poet's Tokyo house was dismantled and rebuilt in his home town - a building returned to its birthplace.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
12,708 entries / page 149 of 530
The poet's Tokyo house was dismantled and rebuilt in his home town - a building returned to its birthplace.
Records of old-style whaling; the painted fleet formations read as working diagrams for collective labour.
Four centuries of stone terracing turned these slopes into stairs, planted with citrus to the ridge.
Plums, the woodland that feeds their bees, and the charcoal made from it - one system, recognised as agricultural heritage.
Around fifty of the mountain's 117 temples take guests, so their halls and gardens can be experienced from inside.
While women were barred, halls stood at the seven boundary gates, and women walked the path that joined them.
Made by monks for their own use; stripped of ornament and built only for strength, the utility became the style.
Sandstone planed flat by waves, and an islet pierced by a round hole the setting sun drops through.
Furnishings made for one of the three Tokugawa houses; the wedding sets were designed as a single coordinated suite.
Many images here were carved for the mountain by the capital's leading sculptors, so the workshops can be traced.
A town grown around a temple, its grid plan still legible in the streets.
One of Japan's earliest stone lighthouses, by Richard Brunton, standing on the cliffs of Kashinozaki at the eastern end of Kii Oshima.
Several kilns nurtured by the Kishu domain survive, among them a celadon imitation made for the lord's own use.
A single rock face eight hundred metres wide standing over the river - among the largest monoliths in Japan and a National Natural Monument.
Cotton raised into a pile until it reads as fur; most of Japan's pile fabric is woven in this valley.
The warehouses of the lacquer wholesalers survive, showing how making and distribution worked as one.
Nuns walked all Japan explaining a painted mandala of heaven and hell - pictures used as the instrument of preaching.
Meiji brick gun batteries left on an island, now overgrown - engineering become ruin landscape.
Metal implements for esoteric ritual - made to be used, yet every form is a symbol.
A new prefectural museum whose purchase of Warhol's Brillo Boxes became a public argument about what art is worth.
Founded by a doctor who did not merely collect folk craft but commissioned new designs from living potters.
Across the street from the museum, selling not the collection but what is being made now - the same doctor's experiment.
At the foot of the castle hill, holding the Ikeda lords' furnishings and the province's art.