Kutami Persimmon-Tannin Fans
Paper toughened with persimmon tannin - insect-proof, water-resistant, and darkening with use.
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380 entries / page 15 of 16
Paper toughened with persimmon tannin - insect-proof, water-resistant, and darkening with use.
White straw-ash glaze ladled over a dark iron body - a kiln the Hosokawa lords opened with Korean potters.
Geometric patterns stitched over a ball; a pastime of the lords' daughters that became a common toy.
A bamboo province making baskets and farm tools, their forms arrived at purely through use.
Begun as souvenirs for spa visitors and now producing Living National Treasures, built from eight basic weaves.
A papier-mache daruma in female form, drawn from a samurai wife's story and still made by one family.
Cedar planted under direct shogunal management; at one point this town made more wooden clogs than anywhere in Japan.
Artists here moved from weaving into free sculpture in bamboo - a craft district that crossed into contemporary art.
Bamboo and sumac laminated with hide glue through over two hundred steps; most Japanese bamboo bows are made here.
Clay dolls counted among the sources of the Kyushu tradition, still made from Edo-period moulds.
Each hamlet has its own carver, so the same character wears a different face; broken masks are recut and the line renews.
Studios in Aya dye with plants from the protected forest - conservation and dye supply tied together.
Soft tuff quarried for lanterns and walls; its workability is why stone culture is dense in this province.
Cut paper hung on four sides of the dancing floor, its patterns diagramming a whole cosmology.
Begun by abducted Korean potters, and split into white ware for the lord and black for everyone else - class made into pottery.
The village where the abducted potters were settled; families that never changed their Korean names still fire kilns here.
Thick coloured glass cut so the edges gradate; the craft died with the domain and was reconstructed in 1985.
Thread dyed with a local shrub and then trodden into iron-rich mud to blacken; the kasuri threads are themselves woven first on a separate loom.
Plant dye and mud alternated more than twenty times to reach a black no chemical dye can match.
Only stumps left by Edo-period logging may be used; no living tree is cut, and the timber is three centuries old before it starts.
Satsuma banned Buddhism outright for a time; altars were made in secret, and when the ban lifted that skill became an industry.
Gunsmithing turned to scissors; steel is forge-welded to soft iron to shape the blades and handles.