Kirin Lion Dance
A lion head with a single horn, found only in this corner of Japan and recognised as national heritage.
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A lion head with a single horn, found only in this corner of Japan and recognised as national heritage.
A lake whose bed produces hot water, with a torii standing in the shallows.
Pears trained flat overhead, so each orchard becomes a green ceiling with shade beneath.
A spherical stone bulge was added to hold a failing wall - the only such structure in Japan, engineering turned into form.
A castle town of grid streets and running water channels, its lattice fronts still in place.
Hills washed away to extract iron sand left stepped terrain - proof that ironmaking reshaped the land itself.
Winter paper is made in freezing water; the speed and angle of the shaking mould decide how even the sheet will be.
Glazed Sekishu tiles resist snow and salt, and their red is what gives this coast's towns their colour.
Single-block Heian images survive in mountain temples here, a record of how the provinces carved.
The path to the cliff hall is climbed by chain and tree root - the visit itself designed as an ordeal.
Thatched houses in the Chugoku mountains, their eaves pulled deep against snow and cold.
Columnar rock standing like a folding screen, with Buddhas cut into the face.
Farmland below Mt Daisen, where the placement of windbreak woods and terraces follows terrain and weather.
Lanterns and guardian lions supplied to shrines across the region, each quarry's masons cutting differently.
One cartoonist's drawings remade an entire town's appearance - form tied directly to a local economy.
Belts of black pine planted to stop the sand moving - human lines now defining the dunes' own edges.
Collecting on the theme of water, and staying open until thirty minutes after sunset over the lake it faces.
Three hundred and fifty-eight bronze swords from one pit, ranged along a wall - more than had been found in all Japan before.
Ranked Japan's finest garden for over twenty consecutive years by a US journal; its windows are framed to present the garden as a painting.
Tea utensils of a family enriched by ironmaking, in the town shaped by the tea-master lord Fumai.
For Lafcadio Hearn, who wrote Japan's ghost stories in English; the samurai house he lived in stands next door.
Samurai houses and earthen walls along the castle moat, the street Hearn walked barely altered.
Built by the tea-master lord whose taste is why this town still has its tea and its sweets.