Kuniga Coast
A caldera rim drowned by the sea and cut into cliffs, with a rock arch left standing in the surf.
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A caldera rim drowned by the sea and cut into cliffs, with a rock arch left standing in the surf.
The places named in an 8th-century gazetteer are still where it says they are - text and ground still matching.
A tea-master lord's taste made this one of Japan's three great confectionery towns; the moulds are carvings in themselves.
Glazed with a local stone that fires red, and tough enough for snow and sea wind - the tile that coloured this whole coast.
The castle moat still functions as a working canal; boats lower their roofs to pass beneath the lowest bridges.
Masks are built from layered paper to stay light for violent dancing; the embroidered robes can cost millions of yen.
Dancers wear heron wings in a form that died out in Kyoto and survived only here.
A silver-mine merchant's house of thirty rooms, its rising formality readable from shopfront to inner parlour.
Boats built from island timber, the curve of the hull adjusted to the sea each village works.
Shinto deities carved in human form survive here - made with Buddhist technique but in different dress and mood.
The city has built viewing points for the lake sunset - the position from which a landscape is seen, itself designed.
Terraces built by stacking stone into steep mountain slopes - a record of turning hillside into stairs.
The port that shipped the great Sekishu jars out to all Japan, and prospered on the northern trade.
Source of the obsidian carried to the mainland in the Palaeolithic - an island that was a trading origin point.
Japan's second folk-craft museum, in converted rice warehouses that are themselves a mingei work.
In an Edo rice store on the same canal as the folk-craft museum, on the tomb culture of the Kibi region.
Folk toys arranged by district, so the same subject can be watched changing shape from region to region.
A merchant family enriched by salt and land reclamation, permitted a samurai-style gate their rank shows off.
The house of a salt-field magnate, its parlours and six storehouses surviving intact across a hectare.
A tabi and school-uniform town that made Japan's first jeans; its old shuttle looms now supply the world.
Woven slowly on old looms so the yarn keeps its air; the cloth moved from ships' sails to bags.
Built around Sesshu, born in this province, and holding ink paintings by the swordsman Musashi as well.
Built on the Ikeda lords' collection, with a holding of Noh robes among the finest in Japan.