Okayama Orient Museum
One of Japan's few museums of the ancient Near East, grown from a local collector's gift.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
12,708 entries / page 154 of 530
One of Japan's few museums of the ancient Near East, grown from a local collector's gift.
In Yumeji's home province, with his birthplace and the studio he designed himself both preserved.
A ruined copper refinery turned museum without demolition, conditioned by sun and geothermal air alone.
On an island of some fifty people, Sejima scattered transparent pavilions so that walking becomes the exhibition.
The oldest of the six ancient kilns: no glaze, no painting - only what ash, flame and straw leave on the clay.
A museum centered on Bizen ware, ceramics and art, from medieval storage jars to living masters - the full range of what fire alone can do.
In the greatest of Japan's five sword provinces, with working smiths, polishers and hilt-binders on site.
The artworks were chosen first and the building designed around them - including a cylinder with Ryoanji's rock garden on its inner wall.
A merchants' quarter along the old Izumo highway, 1.2 kilometres of Edo and Meiji townhouses.
This domain produced a line of Dutch-studies scholars who coined the Japanese words for oxygen and cell.
Kasuri farmers once wove for themselves; the craft died out and has been brought back.
The making of red iron-oxide pigment, which went into Kutani porcelain and Wajima lacquer alike.
Castle-scale stone walls raised on a mountainside to carry one house - copper and pigment money made visible.
An early garden by Kobori Enshu, made in his twenties: clipped azalea as waves, stones as islands.
For a sculptor who carved until he was 107, and who past a hundred bought thirty years' worth of timber.
Centred on the bird-and-flower painter Kinjima Keika, in a small private museum built as one with its garden.
For a painter of the Inland Sea in high-keyed colour, and the museum lets you watch him leave his teacher's manner behind.
The only post town where both official inns survive as Important Cultural Properties, with the lords' rooms intact.
One dyer suggested each house hang its own curtain; a preservation district gained a layer of colour.
Farm baskets with no ornament at all - the form held entirely by the strength of the weave.
In an old farmhouse, comparing beckoning cats in clay, papier-mache and porcelain from every district.
Named for the castle's nickname: flowers and birds carved in relief on trays and boxes, finished in lacquer.
Recorded in 8th-century documents; a handful of workshops still make it.