Tamashima District
A cotton and salt port, with the temple where the monk Ryokan trained on the hill above it.
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A cotton and salt port, with the temple where the monk Ryokan trained on the hill above it.
The fourth-largest keyhole tomb in Japan, and climbable because it is not an imperial grave - evidence Kibi rivalled the capital.
Grassland kept open by burning it every year - a landscape that exists only because people maintain it.
A fan-shaped locomotive shed and turntable kept working - industrial geometry left legible.
Nine thousand naked men contend for a wooden token - a mass of bodies that reads as moving sculpture.
The largest of Japan's five sword traditions; roughly half of all National Treasure blades were forged here.
An 1889 spinning mill converted rather than demolished - an early case of industrial reuse in Japan.
The painter who bought the Ohara collection was a painter first; his own canvases show what his eye was trained on.
Samurai houses below the mountain castle, where the relation of fortress to town can be read in the terrain.
Stone-walled terraces along the mountain valleys, drawing the contours into visible lines.
Beside a designated scenic garden, and built around artists connected to Hiroshima and the crafts of Asia.
Japan's first public museum devoted to contemporary art, on a hilltop in a Kurokawa building of tile and aluminium.
Founded by a local bank as a memorial to those killed by the bomb; its Impressionist holding is among western Japan's best.
Won in competition by Tange: cenotaph, flame and ruin were aligned on one axis, and the city replanned around it.
After the competition failed, one of its judges built it himself; the wall blocks contain fragments of bomb-scorched tile.
Mori Terumoto's lowland castle; its keep, then a National Treasure, was flattened by the bomb and rebuilt in concrete.
The study of the historian Rai Sanyo survived the bomb; his calligraphy and Chinese verse are kept here.
Said to begin with rice paddles shaped after a goddess's lute; the trade covers both turning and carving.
Tadao Ando wrapped an existing building; from the galleries the strait and the island opposite are in view.
Temples and houses stacked on a narrow slope between sea and mountain, linked by lanes no car can enter.
Unusual in Japan for collecting 20th-century Italian art, and standing next to the castle.
For a painter and a doll artist, husband and wife; on full-moon nights it stays open so the moon can be watched in its pond.
Called shining dolls for their gloss; one family still makes them, using moulds from the Edo period.