Fairytale Buildings of Oyabe
A mayor had the town's schools and offices built as copies of famous world architecture - some thirty of them stand.
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A mayor had the town's schools and offices built as copies of famous world architecture - some thirty of them stand.
Fishing boats moor at the front doors along this canal, each of its twelve bridges designed differently.
Power stations deep in the gorge, built to a level of design nobody was expected to see.
Townhouses raised on stone retaining walls above a cliff - silk and paper wealth expressed as vertical construction.
A disused canal kept as water and made into a park - industrial remains recomposed as landscape.
Carving studios line the temple approach, and even the shop signs are carved - the whole town a display.
A 1930 training barque preserved afloat, its rigging standing as pure structure.
Merchant houses at a Kitamae port, opening to the sea with their storehouses ranked behind.
A route climbing 2,000 metres, whose annual snow clearing carves twenty-metre walls - a form remade each spring.
A circular glass building with no front or back; large free zones let people cross through as if it were a park.
For the man who explained Zen to the West; almost nothing is displayed - the water court and silent room are the exhibit.
Three Meiji brick arsenals in a row on a wooded hill, all Important Cultural Properties.
A lord built it for his mother; one room's ceiling is painted in imported ultramarine, a luxury of pure colour.
Teahouse buildings raise their upper floors for the guest rooms; fine red lattices align the whole street.
Three-storey teahouses along the river, with narrow lanes dropping to the water.
Earthen walls line the samurai quarter, wrapped in straw mats each winter - protection that becomes a seasonal sight.
A three-tier gate mixing Japanese, Chinese and Western elements, topped with Dutch stained glass.
Roofed in lead tiles that weather white; one turret is built on a rhombus plan to widen its field of view.
Once called Japan's richest village; the shipowners fenced their houses with old hull planks under red tiles.
Where a young Rosanjin lodged and met the Kutani potters and lacquerers who shaped everything he made later.
The merchant street of old Noto, its townhouses still trading, each shopfront designed differently.