Sanuki Fuji and its Reservoirs
Fourteen thousand reservoirs were dug across this dry plain; the cones of its hills and those artificial ponds compose it.
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12,708 entries / page 162 of 530
Fourteen thousand reservoirs were dug across this dry plain; the cones of its hills and those artificial ponds compose it.
Kukai is said to have repaired this reservoir in three months, curving the dam into an arch to take the water's push.
Tange translated the timber tradition into reinforced concrete here; the stacked slabs read as wooden eaves.
Abandoned terraces were brought back into cultivation alongside the museum's construction, so field and artwork share one view.
Over eight hundred lion troupes in one prefecture, each with its own embroidered body cloth.
A village of charred-cedar walls, uniformly black; the art houses are set inside that fabric.
Volcanic rock eroded into towers and cliffs, each formation named along the route.
A stone-cutting town; Noguchi worked with its masons, and sculptors have come for the stone ever since.
Two and a half kilometres of covered street, its crossings domed in glass - a roof designed for a city.
Inside the castle moat, and holding the papers of Hisui Sugiura, who founded Japanese graphic design.
Themed on one novel; Ando gave it a triangular plan and hung an unsupported ramp through its void.
For the poet who modernised haiku by preaching sketching from life; his own drawings and sickbed manuscripts survive.
Japan's only museum devoted to a single living architect: a faceted steel pavilion beside his own relocated house.
Galleries stepping down a slope, each sculpture set with the Inland Sea behind it.
A circular wall with no roof: the sculptures stand in the open, taking rain and sun.
Seven and a half centuries of tile-making, smoked at the end until silver; its demon tiles are the tiler's sculpture.
Sold from boats that carried bowls as far as Kyushu; built for durability rather than display.
Enriched by vegetable wax; its plaster is tinted pale yellow rather than white, for 600 unbroken metres.
A wax magnate's house with its workshops intact - the whole process of pressing wax from sumac berries, preserved as architecture.
Ten years in the building; even the flaws in each timber were used as design, and the ceiling is woven to catch light off the river.
Rebuilt in real timber from Meiji photographs and a carpenter's model - the best-documented castle reconstruction in Japan.
Its outer wall is an irregular pentagon, said to be built so besiegers would misread it as a square.
A post town of continuous Edo and Meiji houses, with Western-style buildings mixed in among them.