Tidal Flats of the Ariake Sea
A six-metre tidal range leaves mud to the horizon, ranked with the geometric poles of the seaweed farms.
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A six-metre tidal range leaves mud to the horizon, ranked with the geometric poles of the seaweed farms.
A net of channels dug across reclaimed land to hold water; from the air the whole plain reads as a drawing.
A strongly Pure Land region kept the altar trade alive, its lacquering, gilding and metalwork divided between hands.
Chambered kilns stepped up the hillsides; the slope and the number of chambers decided the firing.
Cotton rugs knotted one stitch at a time as domain tribute; the craft lapsed and was reconstructed.
Christianity arrived early in this province; crosses and inscribed graves survive hidden among ordinary temples.
Hot spring and tea district share one valley; the contour-planted fields fill the inn windows.
At its 400th anniversary the district began pairing kilns with foreign designers - a tradition deliberately updating itself.
Clay compacted by beating with a paddle rather than thrown - a Korean method still in use here.
The Nagasaki highway ran through here, carrying sugar and Western learning toward Edo.
Stone-arch technique spread inland from Nagasaki; the way each arch is laid identifies its mason's line.
The failed shards from these kilns date the styles - they carry more information than the finished pots.
A replica of the Zwinger, built by the Saxon elector who bought Arita porcelain by the shipload - the export destination made visible.
Two blocks straddling a canal, joined by a bridge, holding Japan's foremost collection of Spanish art.
The shogunal magistrate's office rebuilt in timber, housing the record of Japan's one open window on the world.
One hand raised toward the bomb, the other held level for peace - a decade's work and, at the time, among the largest bronzes cast in Japan.
Beside the hypocentre, built around the objects themselves - including a wall moved from the ruined cathedral.
Imported from Scotland in 1909 and still lifting - an industrial machine that has worked for over a century.
Japan's first Western-style repair dock, hauling ships up rails onto land; the brick slipway survives intact.
Western houses on the old settlement hills, their cobbled slopes and retaining walls still marking the original plots.
A French priest designed and built these with the villagers, keeping them low against the wind.
A tiny chapel of local basalt bound with mortar, built for a congregation of twenty-six.
A plain farmhouse outside and a Gothic church within - the memory of persecution built into the form.