Sojiji Soin
Once the head temple of Soto Zen; rebuilt after fire and earthquake, its cloisters still bind the halls together.
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Once the head temple of Soto Zen; rebuilt after fire and earthquake, its cloisters still bind the halls together.
Japan's last agehama salt fields, where seawater is carried by bucket and scattered over sand by hand.
Behind the halls lies a primeval wood no one may enter - preserved precisely by being left alone.
Three-storey farmhouses in a deep-snow village, their height built for silkworm rearing.
Tadao Ando cut a long stair up the hill so that the climb itself stands for the act of thinking.
A Meiji bathhouse rebuilt from its original drawings, tiled in Kutani ware and glazed with stained glass.
Guest rooms painted in ultramarine and red ochre - colour permitted only in the pleasure quarters of a samurai town.
Stacked geometric volumes laid out by feng shui, standing on an island hill.
A seaside spa whose inns use Wajima lacquer and Kaga yuzen indoors, putting the region's crafts inside the architecture.
Five-metre bamboo fences packed solid against the winter wind - a wall produced purely by function.
Temples massed at the edge of the castle town for defence - seventy of them, wall after wall, gate after gate.
Timber columns shaped as Noh hand drums, met by a glass dome - a traditional form built by modern structure.
Centred on the sculptor Hiroatsu Takata, in a Kurokawa building of cones set against boxes.
A 1950s street rebuilt at full size, its objects placed to match period photographs.
A Sengoku castle town buried whole and excavated street by street; its four gardens are Places of Special Scenic Beauty.
Excavated stone paving preserved exactly where it was found - the Sengoku ground lies under the museum floor.
The lord's villa sits so low over the pond that, seated on the tatami, water fills the whole field of view.
A silver egg half-buried in the hills; among the world's three great dinosaur museums, architecture and display conceived together.
A religious city of 6,000 lodgings, now under moss - only the stone paths still run through the forest. A National Historic Site.
A place to try papermaking. At the Udatsu Craft Museum, you can watch craftsmen demonstrate the work.
Its cypress-bark roofs flow from hall to sanctuary in overlapping waves - said to be the most complex shrine roof in Japan.
The teahouse quarter of a Kitamae port, its red-ochre lattices recalling the pleasure districts of Kyoto.
Its eleven-metre wooden torii is counted among Japan's three greatest, with Kasuga and Itsukushima.