Aso Caldera Rim
From the rim the whole 25-kilometre caldera falls into one view - scale itself becoming the landscape.
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From the rim the whole 25-kilometre caldera falls into one view - scale itself becoming the landscape.
Its ground-floor glass folds fully open so street and gallery become one floor, under a timber lattice copying the province's basketry.
Built around the literati painter Tanomura Chikuden, and the tradition of painting as a scholar's sideline.
A lane cut through a tuff hill, with temples and samurai houses on both banks - a town carved out of the ground.
Begun as souvenirs for spa visitors and now producing Living National Treasures, built from eight basic weaves.
An art festival through the alleys and empty shops of a spa town, mixing work into the everyday of a tourist place.
A public bathhouse under a temple-like gable, still offering the sand bath in which bathers are buried to the neck.
Steam rises from all over the town - more springs and more water than anywhere in Japan, a city built on its own heat.
If space is available, admission is possible without a reservation; Kuma set black charred-cedar boxes to borrow the mountain behind them.
Residents chose to keep the fields and refuse development, regulating building heights and signs among themselves.
A stone pagoda form found only on this peninsula, its base carved with lotus petals unlike any elsewhere.
A shuttered shopping street brought back to its 1950s state, down to the signage and the fittings inside the shops.
The samurai house where the composer spent three boyhood years, still standing in the castle town.
The low-ranking samurai house where Fukuzawa grew up, including the storehouse loft he converted himself to study in.
A private academy that stripped away rank, age and prior schooling at the door; five thousand students came from all Japan.
Water-driven hammers crushing clay along the valley; their sound is listed among Japan's hundred soundscapes worth keeping.
A samurai quarter of continuous earthen walls, closed at one end by a surviving turret gate.
Lava eroded into a run of pillars and walls; the scholar Rai Sanyo named it and made it famous through his writing.
Literati painting took root around Taketa, where picture, poem and calligraphy share one sheet.
A papier-mache daruma in female form, drawn from a samurai wife's story and still made by one family.
Cedar planted under direct shogunal management; at one point this town made more wooden clogs than anywhere in Japan.
Stone Buddhas and pagodas scattered across the whole peninsula - the soft tuff made carving easy and the tradition dense.