Tsuruga Red Brick Warehouse
An oil store built to a foreign engineer's design, at the port where trains once connected Japan to Europe.
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An oil store built to a foreign engineer's design, at the port where trains once connected Japan to Europe.
One of Japan's twelve surviving keeps, and the only one roofed in split stone tiles.
A Kitamae port whose townhouses show a gable to the street and run deep behind it.
On a 249-metre peak; when autumn fog fills the basin, only the keep shows above it.
A post town on the northern highway, its continuous townhouse frontage preserving the scale of the old road.
On the road that carried mackerel to Kyoto; a channel runs before every house, binding street and daily life by water.
A temple keeping the old fusion of Shinto and Buddhism, and still sending the water used in Nara's Omizutori rites.
The complex framing and carving seen at Otaki Shrine runs through temples and shrines across the province.
Walls of bluish Shakudani stone, quarried here and shipped as far as Hokkaido by the Kitamae ships.
Quarried for 1,500 years and soft enough to carve; wet, the stone deepens to blue-green.
A habutae silk town whose brick and saw-tooth mills survive, some converted into exhibition space.
The port where refugees on Sugihara's visas came ashore, rebuilt around photographs and testimony.
A cliff-top fortress over the bay, fought for again and again as the link between the northern sea and Kyoto.
One of the provincial temples founded by the state; its foundation stones still map the scale of the compound.
A market held on the same street since the 1580s, the goods still laid straight on the ground.
Houses stacked in the narrow gap between cliff and sea, boat sheds lining the water's edge.
A Meiji spa town whose large wooden inns still use Echizen lacquer and paper inside.
Murasaki Shikibu spent a year here with her father; the park rebuilds a Heian villa garden around that fact.
The world's only museum devoted to Keith Haring; the route runs from a black tilted entrance out into light.
On a closed school site, architects each built one work - from a circular block copying a Paris artists' hive to a tea room in a tree.
The home of a dyer who independently revived tsujigahana dyeing, which appeared from the Muromachi to Momoyama periods; his kimono are hung in rows that form one continuous landscape.
Shigeru Ban hung a paper-covered inverted cone over water, so its reflection becomes the mountain.
An 1875 pseudo-Western schoolhouse with balcony and drum tower - local carpenters' reading of Western form.