Kai Zenkoji
Built by Takeda Shingen to house a relocated icon; clap beneath its ceiling and the sound spirals back.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
1,252 entries / page 19 of 53
Built by Takeda Shingen to house a relocated icon; clap beneath its ceiling and the sound spirals back.
A house that supplied liquorice to the shogunate, its roof raised in three tiers for silkworm rearing.
No piers: timbers cantilever out from both banks in stages - a method invented because the gorge was too deep to stand in.
The start of the Yoshida climbing route, its painted Momoyama sanctuary standing at the end of a giant cedar avenue.
Lodgings for Fuji pilgrims: long narrow plots running back from the road, with a channel drawn in for purification.
Shingen ruled from a square residence, not a castle - his saying that people are the castle, left in the ground.
Rather than sealing the river, the levee is deliberately gapped to let water escape - engineering doctrine as landscape.
Trellised vineyards covering the slopes, where Japanese winemaking began; Meiji brick cellars still stand.
Thin lustrous silk that sold in Edo for linings and umbrellas, woven in this valley.
A highland community founded by an American missionary, its timber lodge buildings still standing in the woods.
A railway at 1,375 metres, a single drawn line across the plateau that photographers return to.
From pseudo-Western schools to postwar modernism, Kofu keeps the layers of a provincial city's modernity.
A pilgrimage stop between two sacred mountains, its houses stepped up stone terraces on a steep slope.
Zen spread here under Takeda patronage, leaving medieval halls and images scattered across the province.
A street aimed straight at Mt Fuji, its Showa shopfronts and the mountain falling into one frame.
The keep is gone; only the rough-stacked stone walls remain, rising in the middle of the modern city.
Thirty kilometres of cliff formed by pyroclastic flow, with halls dug sideways into the rock face.
Stone works built to tame a violent river; the terrain and the villages on it were shaped by that engineering.
Rebuilt beside Zenkoji, its roof opened free to the public as a 'landscape museum' framing the town and mountains.
Holds the 970 works Higashiyama gave to the province, in a Taniguchi building reflected in still water.