Akiu Craft Village
Nine workshops in one hamlet, where the three trades behind a Sendai chest can be watched separately.
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Nine workshops in one hamlet, where the three trades behind a Sendai chest can be watched separately.
Built around a local industrialist's antiquities collection, reassembled after the tsunami.
Black slate inkstones made here for six centuries, once the source of most inkstones in Japan.
In the home of Togatta kokeshi, whose big heads and radiating chrysanthemums set them apart.
The only kokeshi lineage whose heads squeak when turned, still turned and painted in the hot-spring street.
Paper strong enough to be sewn into clothing, supplied to the Todaiji Omizutori rites.
Three thousand paper streamers, each shopping street spending a year making its own.
A nine-metre bamboo pole hung with 46 lanterns, shown and demonstrated all year.
Fifty-kilo lantern poles balanced on foreheads and hips, standing in for ears of rice.
Warrior-doll floats carrying satirical placards on their backs; UNESCO Intangible Heritage.
Unglazed clay dolls painted in mud pigments, a folk tradition brought back from near extinction.
Wild cherry bark planed thin and pressed onto wood; airtight, and so ideal for tea caddies.
A kiln extinct for a century, revived in 1975; known for its blue namako glaze.
Baskets woven from split Itaya maple, a winter craft of farming households that became a traditional craft of Akita Prefecture.
Eight-metre paper balloons painted with warriors, launched into the winter night sky.
A hundred and fifty Namahage masks, one style per village - the same rite, a different face in each.
Akita cedar bent with boiling water and stitched with cherry bark; once the side work of poor samurai.
Straight-grained Akita cedar bound with bamboo hoops alone, up to brewing-vat size.
The city's central collection on local bentwood craft and the Akita dog.
Straw-ash glaze running blue over the body; the same clay and glaze for over 150 years.
Museum, craft workshops and produce halls on one site - the province's handwork in one visit.
Iron in the local clay speckles the celadon like a pear's skin - the earth itself becomes the pattern.
Nine in ten of Japan's shogi pieces are made here; writing the characters is calligraphy in miniature.