Aomori Museum of Art
Its galleries imitate the walls of an excavation trench; it holds three of the four vast backdrops Chagall painted for the ballet Aleko.
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Its galleries imitate the walls of an excavation trench; it holds three of the four vast backdrops Chagall painted for the ballet Aleko.
A residency where artists come to make work, wrapped by a long concrete arc that Tadao Ando drew through the forest.
A Meiji cider factory turned contemporary art museum, on the site of three Yoshitomo Nara exhibitions, converted so the building keeps its memory.
A hall for gathering comes before the galleries here - a design argument that won the Architectural Institute of Japan prize.
Each artwork gets its own white box, linked by glass corridors; the works spill outdoors until the whole street is the exhibition.
A Surrealist-inflected painter from this town, shown beside the collection of lamps from around the world he assembled.
Built around three artists from Iwate: the avant-gardist Yorozu Tetsugoro, the urban painter Shunsuke Matsumoto, and the marble sculptor Yasutake Funakoshi.
It stands in the hometown of a painter who helped pioneer Japan's reception of Fauvism and Cubism. From the hill in Tsuchizawa, you can see the same mountains he painted.
Watercolours of wild flowers, shown in a former bank on the Nakatsu river.
One of Kunio Maekawa's finest buildings, with a wing devoted to the sculptor Churyo Sato.
Stencil-dyed works by Living National Treasure Keisuke Serizawa, shown with the folk objects he collected.
Five thousand kokeshi dolls arranged by regional lineage, beside butterflies and Western-style paintings.
Curators' own photographs and salvaged objects from the 2011 disaster, shown as a permanent exhibition.
Built by Tadao Ando to house Foujita's single 20-metre mural of Akita's festivals.
Holds Akita Ranga, a short-lived school that tried Western perspective with Japanese brushes.
On a hill in Yokote, tracing how the snow country shaped the region's modern painters.
Holds a local company's collection of Impressionist and Ecole de Paris paintings, exceptional for a regional museum.
A private collection of 19th-century European painting, strong in the Barbizon school.
Built on Hiroshige prints, from the time the Tendo domain paid its debts in his paintings.
Joseon ceramics collected by a sake brewer, chosen with the eye of the mingei movement.
Japan's first museum for a single photographer, with a garden by Isamu Noguchi and architecture by Yoshio Taniguchi.
The villa of the Homma family, once Japan's greatest landowners, its garden borrowing Mt Chokai.
Pairs the masterwork of Shoji Sekine, dead at twenty, with a collection of Andrew Wyeth watercolours.