Numazu Imperial Villa Park
An imperial rest villa in timber, every room arranged to look through the pines to the bay.
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An imperial rest villa in timber, every room arranged to look through the pines to the bay.
Fuji's groundwater runs through the town centre, with stepping stones laid so people walk in the river itself.
A spa town of Meiji villas scattered on the slopes, each composed around its view of the sea.
A port built on the tea export trade, its timber and brick warehouses still shaping the waterfront.
A river the shogunate forbade to be bridged; the offices that organised the human porters have been rebuilt.
Walls of barely worked natural stone remain from the castle where Ieyasu spent seventeen years.
Villas and inns where writers and painters stayed, scattered down the peninsula - modern Japanese leisure in built form.
A city stacked down a slope to the sea, its stairs and alleys serving as the street plan.
One of Richard Brunton's lighthouses, a white cylinder on the point; an Important Cultural Property.
As a tea-growing province it keeps many tea houses - small spaces designed as one with their gardens.
A palace burned in 1945 and rebuilt in real timber from surveys and photographs, its Kano-school gold rooms recreated.
Its annex is a fine sukiya house, where tea is served looking into the garden.
Edo tea houses moved into the garden, so the utensils and the rooms they were made for sit on one site.
A highway street of shibori wholesalers, their thick fireproof plaster fronts still standing.
A Showa-era pottery town rebuilt full size, the kiln sheds standing beside the station that carried the wares out.
A lane paved and walled with discarded clay pipes and bottles - industrial waste become the fabric of the town.
Six buildings on the single theme of clay, from Islamic and European decorative tiles to a hall where visitors handle mud.
Sixty-seven Meiji buildings saved from demolition and rebuilt here, including the entrance of Wright's Imperial Hotel.
A National Treasure keep, small but placed on a cliff above the river - the siting is the castle's whole argument.
Built by Nobunaga's brother and one of only three tea houses designated National Treasure, lit through a screen of split bamboo.
Held to be Yoshio Taniguchi's finest work: white volumes over water and lawn, the route framing view after view.
Japan's only museum of roof tiles, re-presenting an industrial product as form.