Kyoto Imperial Palace
Rebuilt in the 1850s but researched back to Heian precedent, down to the subjects of its wall paintings.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
1,252 entries / page 28 of 53
Rebuilt in the 1850s but researched back to Heian precedent, down to the subjects of its wall paintings.
The only tea room reliably by Sen no Rikyu: two mats, and the first entrance so low that everyone must stoop.
Tadao Ando buried a concrete cylinder beside a Taisho English villa; Monet's water lilies hang inside the circle.
Designed with its own reflection in mind; Jocho's joined-block carving inside settled the technique of Japanese sculpture.
Buried almost entirely underground so as not to disturb the Phoenix Hall's setting, with the bodhisattvas seeming to float off the wall.
The oldest surviving shrine sanctuary in Japan, its three inner halls sheltered under one Heian-period roof.
Kamakura-period Buddhas carved into roadside rock; the walk from temple to temple is itself the gallery.
The finished form of the hachiman style, two halls joined front to back, with a gilded gutter Nobunaga gave spanning the valley between.
The only surviving ageya of the Shimabara quarter, with a ceiling papered in fans and a room inlaid with shell.
Masterpieces fired onto ceramic panels and set outdoors; Ando's ramps make you look down on some and up at others.
A vast glass structure dropped into a historic city, with a 171-metre atrium and a stair climbing to the roof - fiercely contested when built.
A 1931 elementary school turned over to artists; the classrooms are the studios.
Ground floors open straight onto the sea so boats drive into the house; 230 of them ring the bay.
Most of the village is still thatched, and the rethatching is still done by the villagers together.
Twelve naval warehouses surviving together - a military complex preserved as an ensemble of brickwork.
The garden that shows water without using any was perfected in Kyoto's Zen temples - mountain, river and sea in stone alone.
On the site of the Sumitomo residence, with holdings of Chinese painting and stone Buddhas among the best in Japan.
Forty years from conception to opening; a black box hollowed out at its centre, with the galleries hung in the void.
Every gallery is underground; above ground stands only a steel facade, the building itself invisible.
Palace foundations preserved in the basement, the throne hall rebuilt full size on the tenth floor - 1,300 years stacked vertically.
A whole block of 1830s Osaka rebuilt full size under an artificial sky that cycles from dawn to night.