Yokokan Garden
The lord's villa sits so low over the pond that, seated on the tatami, water fills the whole field of view.
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The lord's villa sits so low over the pond that, seated on the tatami, water fills the whole field of view.
Held to be Japan's oldest paper district, and the only one with a shrine to the deity of paper itself.
A place to try papermaking. At the Udatsu Craft Museum, you can watch craftsmen demonstrate the work.
Begun when a Kyoto swordsmith made sickles here; two blades are hammered out together in a technique found nowhere else.
Nailless joinery dressed in heavy iron mounts, as befits a blacksmithing town.
One of Japan's six ancient kilns; unglazed, its surface coloured only by falling ash, and once shipped all along the north coast.
On a hill where over 200 medieval kilns were found, lining up the great storage jars by century.
Said to be 1,500 years old, and now making 80 percent of Japan's commercial lacquerware - lacquer as working tableware.
The heart of the Kawada lacquer district, where each divided stage can be watched in the workshops next door.
Over 90 percent of Japan's spectacle frames come from here - a winter side job that became a world titanium centre.
Eggshell, shell and pine needles are buried in the lacquer, then ground back to reveal the pattern.
Agate heated until its colour changes, then carved and polished - a technique surviving only here.
The teahouse quarter of a Kitamae port, its red-ochre lattices recalling the pleasure districts of Kyoto.
Wakasa lay on the road between the capital and the northern sea; small temples here keep an unusual density of Heian Buddhas.
Its eleven-metre wooden torii is counted among Japan's three greatest, with Kasuga and Itsukushima.
One of Japan's twelve surviving keeps, and the only one roofed in split stone tiles.
A Kitamae port whose townhouses show a gable to the street and run deep behind it.
On a 249-metre peak; when autumn fog fills the basin, only the keep shows above it.
A post town on the northern highway, its continuous townhouse frontage preserving the scale of the old road.
Lacquer objects 12,000 years old from Torihama - among the earliest known use of lacquer anywhere.
A temple keeping the old fusion of Shinto and Buddhism, and still sending the water used in Nara's Omizutori rites.
The complex framing and carving seen at Otaki Shrine runs through temples and shrines across the province.
Walls of bluish Shakudani stone, quarried here and shipped as far as Hokkaido by the Kitamae ships.
Quarried for 1,500 years and soft enough to carve; wet, the stone deepens to blue-green.