Fukuoka City Museum
Holds the gold seal a farmer dug up in 1784 - 2.3 centimetres of metal that anchors the start of recorded Japanese history.
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Holds the gold seal a farmer dug up in 1784 - 2.3 centimetres of metal that anchors the start of recorded Japanese history.
Warp packed dense and beaten with heavy weft, so the sash creaks when tightened; its pattern derives from Buddhist implements.
Unglazed and then painted, the surface kept deliberately matt so the skin reads as skin.
Two square tubes projecting horizontally from a hilltop - nicknamed the binoculars, and a key early Isozaki.
Where Japanese heavy industry began; its red-brick head office survives inside a still-working steelworks.
The novelist's Tokyo house rebuilt full size, library and all, down to how the papers were piled.
Built around local artists including the creator of Galaxy Express 999, with 60,000 volumes free to read.
At the heart of a cultural centre the Bridgestone founder gave his home town, built around two painters born here.
Said to have been invented by a twelve-year-old girl who noticed the pattern in a faded cloth; now an Important Intangible Cultural Property.
The steel headframe of a pit that fuelled Japan's industrialisation - including its reliance on convict labour.
Four hundred and seventy kilometres of canal serving daily life, farming and defence at once - saved from being filled in by residents.
A daimyo villa whose pond stands for the sea, ringed by 280 pines, with Western and Japanese wings joined.
A town of altar and lantern makers, where the workshops face the street and the houses are behind them.
Built inside like a miniature temple, and finished by seven separate trades in sequence.
A single bamboo strip wound as a spiral for the frame, and the picture painted from inside so it shows when lit.
Its chatter-marked surfaces are cut by holding a blade to the spinning pot; Yanagi held it up as the model of useful beauty.
Founded by Korean potters and redirected to tea ware under Kobori Enshu; known for throwing extraordinarily thin.
A tea kiln opened by Korean potters under the Hosokawa lords, light in the hand and marked by running glaze.
Eighty thousand objects from a sacred island, all National Treasures - five centuries of state offerings left untouched.
A miner painted what he remembered of the pits; his 697 works became Japan's first entry in the Memory of the World register.
A coal magnate's mansion, keeping the rooms and garden he prepared for his poet wife.
Its south face steps up in fourteen planted terraces; the 76 species planted have grown past 120, carried in by birds.
Isozaki commissioned six architects to build one block each; the experimental flats are still lived in.